The Home Stretch (of what feels like a marathon)

The release of A Flame Among the Stars went swimmingly, which is always a good thing. Reviews are popping up on Amazon and Goodreads, and they're largely favorable. As of right this second, I don't have any additional promotional events coming up, but that can always change!

As the saying goes, however, there is no rest for the weary. In addition to wrapping up AFAtS and promoting it, I've been working on finishing up the Geneva/Searching the Skies series. Book 4, Chasing the Skies, kind of went slowly, probably because I was promoting a bunch of other things while trying to write. There were a few times I questioned whether I still liked the plot I'd come up with, and one night I even debated scrapping the whole thing, but it worked out, it's done, and I'm satisfied with the results.

So, here we are at the end with Book 5, Conquering the Skies. I had a better mental outline going in than with Book 4, though there are still some details in the middle I need to flesh out. By my calculations, I estimate I'm roughly about a third of the way through, but since this is the final book, I won't mind if it goes a little longer.

It's funny - after spending so long with these characters, there are points where it almost feels like the book is writing itself. I know what they're going to say, how they're going to feel in any given situation. There have been times when I've had an idea for the plot, thought "no, that can't happen because of XYZ", and then actually included one of the characters pointing out that something can't happen because of XYZ. In fact, for the first plan I had for wrapping up one of the plot lines, I finally realized it would be out of character for our gruff but lovable space heroine and I have to do something different. (At least I realized before writing it out!) A lot has happened in five books, and I want everything to make sense and be satisfying for readers.

I still have a fair amount to write. As I've said before about other projects, I'm not quite at the point where I can say "the end is in sight!", but that point of being able to say that may be in sight. And really, it feels like a significant place to be, near the end of a five-book series that I wasn't sure was ever going to happen. I have no idea what I'm going to write once I'm done with Geneva & Co., but I think I'll finally take a bit of a writing break and play some games and catch up with Netflix. But first, to the finish line!

A Flame Among the Stars - Available Now!

Oops, I'm late with updating again. Bad Thea. *slaps wrist* (Though I guess I'll take this opportunity to remind you to follow me on Twitter and sign up for my newsletter if you haven't already, as that's what I've been focusing on lately!) A Flame Among the Stars is now available in paperback and Kindle Unlimited, and the book launch has been going great so far! The cover was finalized while I was doing the last bit of edits, so I didn't get a chance to share it with you before now, but behold!

Gorgeous, right? Now on to the blurb and link. Newsletter subscribers already got a peek at an excerpt, so there's another bit of encouragement for you!

Blurb:

The kingdom of Dardrith is under attack from hordes of juvenile dragons. When the king offers marriage to his daughter as a reward to whoever can discover the source of the dragons and prevent future infestations, Meg’s best friend, Ronan, convinces her to help him win the ultimate prize and save their families from a lifetime of poverty. Despite her initial reluctance, they also enlist the aid of Ronan’s sister, the village blacksmith, and a stranger Meg meets in the local marketplace.

The band of aspiring heroes doesn’t travel far before the identity of the stranger is exposed; she is none other than the king’s daughter herself, Princess Celendra. Aside from being the heir to the throne, Celendra is keeping some other secrets. During a battle with a group of dragons, she reveals she has magical powers, the ability to conjure and manipulate elements such as fire and water. Furthermore, she confesses that, like Meg, she would prefer to pursue romantic relationships with other women, which she hasn’t told her father.

As they journey throughout the land, Meg and Celendra embark on a passionate fling, though Meg tries not to form any deep emotional attachment to the princess due to their respective social classes. Following revelations about the dragon attacks and her family history, Celendra must choose between doing what’s expected of her or taking charge of her own destiny. The future of Dardrith is at stake. Can Meg and Celendra find a way to remain together while protecting the people and home they love?

***

Available in paperback and on KU!

From 2021 to 2022

Hey, I'm only a week late with my "year in review" post! 2021 was a busy year writing-wise and 2022 looks like it's going to be the same. Let's recap what happened and what's coming up!

2021:

The big event of this year was re-releasing the Disintegration series. New edits, new formatting, new (awesome!) cover art...and then I had to market the damn things. Overall, I'm happy with how everything went, and I'm beyond thrilled that these books I've loved so much for so many years are back out in the world and resonating with new readers.

I also released a short story, Sweet Escape, which is now on Kindle Unlimited after retiring from the role of being my newsletter freebie. Feedback on that one has also been good, and I'm happy with that, too. (How could you *not* be happy when chocolate cake is involved?)

As far as writing and planning ahead goes, I signed a bunch of contracts for some upcoming releases, which I'll elaborate on in my next section, appropriately titled...

2022:

The first round of edits plus the mock-up of the cover are done for A Flame Among the Stars, my upcoming lesbian fantasy romance. Longtime artist buddy Boobulon is doing character artwork for the main cast, which I also can't wait to share! No official release date yet, but we'll still label it as "coming soon!"

I also successfully accomplished many parts of another big item on my to-do list - rebooting the Searching the Skies series. To quickly recap, Book #1 was my first published book ever, Book #2 came out about a year and a half later, but while Book #3 was planned, it never happened for various reasons. At the beginning of 2021, I fiiiiinally wrote Book #3, which didn't take long at all, since it had been bouncing around in my head for many years. I also realized it didn't have a satisfactory ending to the series as a whole, so my planned trilogy is now five books long. (Hey, it worked for Kevin Smith.) I signed contracts for Books 1-3, and I'm nearing the end of writing Book #4 now.

I have another short story that's just about ready to go, but I'm trying to space out my publications. This one just needs one more quick edit, formatting, and a finalized cover. For that last point, I'm still working on my basic graphic design skills, but I was able to create a pretty cool text effect for the title. Somewhere in the back of my head, I do want to write more short stories, yet, as we all know, these things take time.

Lastly...I have to figure out what I want to do with The Edge of the Sphere, the last of my books where the rights reverted back to me after the publisher shut down. I'm kind of torn here - I do still like a lot of the story, though I definitely don't consider it my best work. It needs some editing, though not a ton. (I think I even started working on that a while back, but I don't even know off the top of my head.) It needs a new cover, and I'd have to decide if I want to tackle it myself or outsource it. If/when I get around to re-releasing it, I'd probably do a paperback version, so I might want to turn this one over to the pros again. My biggest issue, though, is marketing and promotion. Do I really want to spend a lot of time on a book I like very much, but may not love? Do I just want to sort of passively put it out there and let my other books sell it for me? I don't know. When I have the schedule for everything else more formalized, maybe I'll think about putting it back out there during a quieter period.

Whew! That's quite the list! Somewhere in here, I need to catch up with my reading and my Netflix, both of which have been seriously neglected over the past year. But first, back to writing the final chapter of Chasing the Skies! (Yes, it has a title already, yay me!)

Character Names, Part Wherever We Left Off

Edits are underway for A Flame Among the Stars, and I've also seen a mockup of the cover, which is AMAZING. As soon as I'm allowed to share it, I will, because it's seriously gorgeous. I don't want to spoil anything, but: DRAGON. Also, as soon as I have a firm release date, I'll be sure to share that, too. (Reminder: I've been using my newsletter more than my blog lately, so make sure you're signed up for the latest news!)

More on the topic of exciting news! I believe I mentioned I'm rebooting the Geneva Greyson/Searching the Skies series, and now I can announce I've signed contracts for the first three books. (The first two were previously published, #3 is new.) I'm currently plugging away on Book 4, which is about two thirds of the way done.

That brings me to the topic of the day: character names! I've written posts about the various aspects of naming characters in the past, such as when to name characters and my thought processes for doing so. Book 4 has a lot of secondary characters in it, and those characters needed names. A lot of said characters are female, and finding enough distinctive names that still fit their personalities was a little bit of a challenge.

I'm not opposed to alliteration, or having more than one name in a book start with the same letter. As I wrote in one of those previous posts, for me, I sometimes think it's more important to vary the ending sounds of names. For women, this can get tricky because a lot—a LOT—of names end in A. Y might be the next most popular letter/sound, but I'm too lazy to look it up.

All right, so we've got our main character Geneva, the star of the show. Her mother, Dahlia, also has an -a name, but the other sounds plus the syllable count make them different enough for me. (In my accent/voice, anyway. If you want to stress every single sound and call her Dah-lee-ah instead of sort of smearing together the last vowels, I certainly won't stop you.) Out of all the other female characters, I only have one more who has an -a name—Freya—and she doesn't show up too often, anyway. And luckily, Geneva, Dahlia, and Freya are never all in the same scene together.

Book 3 introduces us to a new significant character, Adele. Here, I really wanted a big contrast to Geneva. Longtime readers will remember one of the [male] main characters of the series is named Ash. I did devote some thought to having two A- names, but ultimately decided Ash and Adele were different enough to not be distracting. Again, in my accent, the initial vowel sounds in Adele and Ash don't even sound the same. (Fun fact! Adele was very close to being named Katharine, but I thought Adele fit her better.)

Back to Book 4, there are three other female characters who needed names. Renae was one of those characters who kind of named herself. Hey, sometimes you just can't fight what was meant to be. From the very beginning of starting to plot this book, she was Renae in my mind. I guess if I was really concerned about the way repeated letters look, I could have gone with the more traditional spelling of Renée, but 1) I admit I didn't want to deal with the accent marks, and 2) I think the Renae spelling is cooler anyway, and this Renae is a badass.

Okay, two more to go. For one of them, I really wanted to set her apart from Geneva and the others for various reasons (she's not quite a villain or antagonist, but let's just say her morality scale differs from that of our heroine). I chose Lorelei, as I like the name well enough, I thought it fit the character, AND it had the added bonus of having a unique ending. Perfect! For the last of the minor characters (Lorelei's friend, who shows up on screen once and is mentioned one subsequent time), I originally went with Tamara, but thought it was too similar to some of the other names, so I did a find 'n' replace and changed it to Taryn. Yay for yet another ending letter/sound!

Phew, that's a lot of names. There are a couple new male characters of varying significance in Book 4 as well, and I did spend some time making sure they were different enough both from each other and existing characters. I don't know, though—for some reason, I've always found female names to be a lot more fun. And regardless, I'm more than happy to feature a lot of interesting women in this book!

Dominance

Yup, you can keep your minds in the gutter, because this post is about exactly what you think it's about: which characters dominate your sex scenes? As I was chugging along on A Flame Among the Stars, I started thinking about how in most romances, one half of the couple is usually more forward or dominant than the other. Sometimes it's evenly balanced, sometimes it pings back and forth...and sometimes what happens outside the bedroom is different from what happens inside.

 

For a fun experiment, not only will I be exploring this in terms of gender, but also the point-of-view, as I have a hypothesis.

A Flame Among the Stars: This is a lesbian romance, so both halves of the couple are female. Meg, the POV character, is definitely the more dominant one for most of the book, though Celendra gains confidence and starts taking charge at points. What got me thinking about this whole subject is that it had been a while since I wrote from the POV of the more dominant character, but more on that later.

Hunting Astrid: Another lesbian romance. The book is from Astrid's POV, but Tabitha takes the lead for most of their intimate encounters. Again, though, Astrid has her own moments of being in control by the end.

Blazing Justice: This one's interesting because we have one POV character (Celeste) with three different endings. Without giving two much away, in two out of the three endings, the men are clearly more dominant, but it's more evenly matched in the third.

Fire Beyond the Frost: More lesbians. Catalina (POV) has no problem being in command of an operating room or jumping into action in case of medical emergency, but she's always been far more reserved in her personal relationships. This actually doesn't change much throughout the book, but Sari's there to guide her along nonetheless.

Closing Montage: Hmm. After some consideration, I'll say that Abigail (POV) and Edwin are pretty evenly matched, but I might give a slight edge to Edwin. It's close, though.

Seductive Suspect: Adam calls the shots as soon as he gets Veronica (POV) into his bedroom, hands down. This was one of those instances where I had that scene all planned out in my head for a while, but since I write in order, it took me a while to get there. Even so, I didn't lose any of my enthusiasm for it, and Adam's running this sexy show.

Out of Orbit: This was fun because both Jasmine (POV) and Aras are absolute powerhouses in their roles/careers before they meet, so what happens when they finally get together? The answer - Aras is the one in charge, but Jasmine doesn't mind in the slightest.

Flight of the Dragon Queen: Here's another one where it might be too close to call between Caleb (POV) and Alizeira. If I absolutely had to choose one or the other, I guess I'd say Alizeira is the more dominant of the two, but really, it's by the tiniest of margins.

Elysium: This one might buck the trend in multiple ways - not only does the POV alternate between April and Drew, but they each get their own sex scene where they're the POV character and each one is the more dominant one when we're inside their head. Again, it's a small difference, but that's my analysis.

Second Skin: The POV alternates between Anna and Brendan here, too; however, once they're behind closed doors, it's from Anna's POV, but Brendan is more dominant.

So, what have we learned? For the hetero romances, I thought the men would be more dominant, but while it skews a little in that direction, it's not always the case. What appears to be the bigger predictor? The POV character.

 

I'm too lazy to go through and tally it up, but it does seem like the POV character is less likely to be taking charge in the sex scenes. In a way, it kind of makes sense - it might be easier to envision yourself in a character's place when something is being done to them, rather than having them being the one doing the...doing. I won't get too far into fantasies and preferences and whatnot here, but if you're reading romance for an escape, letting someone else come in and handle everything can sound appealing. With the POV character, we see, hear, and feel everything they're experiencing; it's not that we, the readers, always want to take on a passive role in our own lives, but I can see how it's logical for the POV character we're reading about to be on the receiving end of all those fun sensations. You could argue the opposite, of course, and I don't think there's a right or wrong answer. In the future, I'll be paying attention to this when reading romances and trying to determine who's more likely to play what role with regard to POV.

(I'm not going to start unpacking menage romances...yet?)

New Year, New...well, all sorts of things

Happy New Year! Okay, so the general state of "the world is on fire" hasn't quite been put out. (I'll make my statement of if you in ANY way support the terrorism and insurrection that went on at the Capitol last week, you can see yourself out now, and I won't miss you. BYE.) Not much else to do besides keep slogging along, I guess. Fingers crossed that better times are, in fact, ahead.

I did reach my goal of finishing the main writing of my latest book before the end of the year, though the editing process went into January. Since it was a lot longer than anything else I've written recently, obviously editing took longer, too. And since I had plenty of time to think about and overthink things, that's exactly what I did.

First of all, I decided I didn't love the title of Elemental Forces. It wasn't terrible, but I thought I could do better. After thinking about the characters and some recurring themes and imagery, I played with a few combinations. To my surprise and delight, a Google search of my top choice didn't show anything notable with that title. So now, the book is A Flame Among the Stars. Very fantasy-esque, right? I'll go make that new tag now. Maybe I'll go through and re-tag the older posts, since there aren't too many of them.

Next, I debated long and hard about the idea of submitting to a different publisher. I'm very happy with everything the team at Decadent Publishing and I have done together, but as they're a general romance publisher, I considered submitting someplace more specific for my next lesbian romance. I did some research on publishers who focus on lesbian fiction, narrowed it down to a few possibilities, and selected what I thought would be the best fit. Since everyone has different requirements for submissions packages, it took me longer to put everything together for this one. I waffle back and forth with how confident I feel, but at least I can say I took the chance. And if it doesn't pan out, I have some backup plans.

Onward to the rest of 2021! I don't have, like, an actual calendar or anything (though maybe I should), but I am planning out the rest of my writing year. I do always like to take a break after finishing off a project, so I've been reading some books that have been sitting on my Kindle for a while, and I'm going to start The Witcher 3 on the Switch tomorrow, which I'm going to assume will take me at least a month to get through since I can only play at night after the kids are in bed. After that, though, I think I've decided on what I want to do next, but plans can always change. Stay tuned!

Off to Some Kind of Start, Part 2

Remember a couple years ago when we were all going back to our old projects at critiquing our opening lines? It's that time again! Writing/blogging buddy Krystal Jane recently posted her new collection, and someone on Twitter just asked about favorite blog posts, so here we go for Round Two. I'll pick up where I left off and see if I've actually gotten any better at this. (I'm guessing not.)

 

Here's Part 1 to recap, from July of 2017 (apologies for the text colors, a casualty of the site redesign)

Hunting Astrid is still brand new and sparkly and shiny, so let's see how my latest release fares under the microscope.

 

“There you are. You almost missed all the fun.”

“Sorry I’m late.” Astrid hurried into the room and wheeled her chair out from underneath her desk. “Some sort of malfunction with the train. We were stuck for half an hour.”

Her coworker Lily snorted without taking her eyes off the screen in front of her. “So much for the best technology this corner of the galaxy has to offer.”

Hello, sci-fi! I've become a fan of starting stories in the middle of a conversation, like here. Not the snazziest, not the worst. I promise things pick up quickly in this opening chapter.

***

How about some fanfic? I did write a lot for Fire Emblem: Three Houses over this summer, which kicked my motivation for my original works into gear. Here's the opening for the first one, which was actually the first fanfic I wrote in quite a few years.

Aelfric couldn’t understand the strange looks and hushed whispers that had followed him around like an irritating swarm of bugs over the course of the evening. After all, why wouldn’t he have wanted to attend Sitri and Jeralt’s wedding? It was a joyous occasion, one the monastery didn’t often host. Such love should be celebrated, he declared to himself.

Not gonna lie, I'm kind of digging that first line. And a note to anyone who's played the FE3H DLC: FUCKIN' AELFRIC, MAN, AMIRITE!? (i rite.)

***

Let's take a look at Fire Beyond the Frost, whose long journey to publication has been chronicled here. To recap: the book was published a year ago after sitting on the shelf in need of a good cleaning for a few years. Before that, parts of it were originally a story written for a former friend's role-playing forum. I have no idea what got edited when, so here's a collection of words that were written sometime in 2019, 2013, and/or 2011.

Dr. Catalina Frost looked out the small window of the spaceship. A few men from the crew scurried around the launch pad of the Blackhill Spaceport. The vessel would be departing within moments. A pleasant female voice came over the intercom, informing the passengers to move toward their seats and prepare for takeoff.

All right, so we know Catalina's going somewhere, which is kind of the point of the whole book. Not too bad. I don't hate myself.

***

Rewinding a little farther, here's the intro to Closing Montage.

The large brown box sat on the doorstep, unremarkable, cast by the shadows of the dwindling sunlight. My heart raced as I pulled the car into the driveway. Though I couldn’t see any writing or labels from where I sat, I knew it didn’t contain another shipment of medical supplies or more useless gifts from well-wishers. This package was special.

You know, this one's better than I remembered it. It drops plenty of hints about the upcoming story, plus it has an element of mystery: what's in the box???

***

Lastly, because I like odd numbers for these types of lists, I'll give you a sneak peek at my WIP, Elemental Forces.

“On your left!”
 

Meg dove to the opposite side, tucking and rolling across the dusty field. The small dragon she’d been battling followed after her, but before it could launch another attack, Ronan brought his sword down on the creature’s neck. The sharp blade sliced its head clean off and it fell to the ground, sunlight glinting off its reddish scales as it gradually stopped twitching.

DRAGONS! FUCK YEAH! I wasn't lying when I said I like starting in the middle of the action sometimes. You know what I also like? DRAGONS!

So there's my latest compilation. Nothing downright awful in here, unlike last time, so maybe I am getting slightly better at this. One can dream, anyway!

Structure/Pacing in Romance (specifically THOSE scenes)

I'm still happily chugging along on Elemental Forces. I passed the 20K word mark and have plenty of story left to tell. While I don't have a firm word count estimate just yet, this is shaping up to be the longest book I've written in quite some time.

Believe it or not, I don't have a written outline here. At this point, everything's plotted out pretty well in my head, so maybe I'll never get around to making one. But as I've been thinking over the structure and pacing in this project, I realized that I have two distinct categories for my books, and most romances probably fall into one or the other. And those categories are differentiated by...wait for it...*drumroll*...the sex scenes.

(The rest of this post will probably not be sexy. Sorry to disappoint.)

Category 1: One Sex Scene

All the novellas go here, which makes sense. (Hey, sex scenes take a lot of words!) I guess in these books, the primary plot/conflict/focus/whatever you want to call it is the good ol' "will they or won't they?" and everything gets wrapped up in a pretty little bow at the end when the characters finally bang. Excuse me, get their "happily ever after." Sure, other plot stuff happens, but it's all leading up to the big moment. To be fair, in some of my novellas, the one sex scene doesn't come right at the end, as the characters still have to work out their relationship issues before riding off into the sunset, but the concept stands.

Nothing is absolute, though, so there are some slight exceptions. Elysium, while novella-length, *technically* has two sex scenes, but they're back-to-back, so lumping them together is fair. Likewise with Seductive Suspect, which hovers on the border of "long novella" and "short novel" - the two sex scenes are adjacent to each other, and then the resolution of the mystery part of the plot comes afterward.

Category 2: Multiple Sex Scenes

It's not a surprise that the longer books go here, and then that got me thinking about various plots and their purposes. "Happily ever after" is still always the primary goal of romance, but the length of the route to get there varies. I admit this is where I sometimes struggle with the pacing. When the main characters get together relatively early on, the plot has to keep moving. It's easy to say "time for a sex scene, yay!" but the scenes also have to mean something and not feel gratuitous. I also realize this is highly subjective, as a look at any book with conflicting reviews will indicate. This also probably gets into the topic of romance vs. erotic romance vs. erotica, which I'm not going to touch here.

When writing Disintegration (which I'll likely re-release sometime in 2021), I was extra super careful while plotting out the progression of the sex scenes in the book, of which there are many. Almost, if not all of them are relevant to the plot, each building on the one that came before it. On the other hand, in Fire Beyond the Frost, there might be one or two in there that aren't necessarily relevant to the overall plot, but hey, they're fun, so why not. Then, while I was reviewing The Edge of the Sphere for its eventual re-release (no date set yet), there was even a sex scene I'd completely forgotten about. OOPS.

So, those are my two categories I've discovered. Is one better than the other? No, of course not. Does one take more careful plotting than the other? Eh, possibly. Most writers have cut huge chunks of work out of their final product, and I'm no exception. As noted above, there's no right answer for when to include these scenes, or how many to put in, and so on. If it works, it works, and I try not to ask too many questions when it *does* work!

Hilarity May or May Not Ensue

So, I think we've all realized by now that I'm not one of those people who is SUPER SERIOUS, ALL OF THE TIME about her writing. That's not to say I don't write serious stories, because I definitely do...I just frequently laugh at myself while doing so. To be honest, I often find people who always take things seriously (assuming it's not a life-or-death situation) to be exhausting, but hey, you do whatever you need to do to get through your days.

I won't make any comments as to whether or not I'm "funny," as I know how subjective humor is. Maybe I've made people laugh here a few times over the years, maybe I've just made them roll their eyes at my flippant attitude before they move on. For what it's worth, while I have my "fiction writing" voice, as we all do, my "writing about writing/blogging" voice here is pretty close to what real-life me is like. I've said before, while I'm sure I'm not everyone's cup of tea, I like to think I'm fun to be around in most situations. But again, who knows.

On to the writing about writing part! I've written in a whole lot of romantic sub-genres, but I don't know if I've ever set out to write a true "comedy." Some of my books/stories are intended to be lighthearted and maybe a little fluffy, and even in some of my darker stories, the occasional odd situation or snarky remark slips through. (That might be tied to my "real me" voice, but I digress.) And now that I'm thinking about genres, I'm starting to wonder—can you even write "just" a comedy without including some sort of sub-genre? (Romance, mystery, adventure, etc.) Like, is "contemporary comedy" a thing just like "contemporary romance" is? Clearly, I am not among the people getting paid to create categories on Amazon.

(I just took a tiny break from writing this blog post to take a look. Lots of romantic comedies out there. There was a "wilderness" comedy on the first page of Amazon hits, which I would file under "adventure." And Eleanor Oliphant is Completely Fine was also near the top, which I did enjoy, and parts were funny, but I don't know if that was the point of the story? Moving right along.)

Outside of my little website here, I have written stories explicitly intended to make people laugh, in the form of fanfic. I'd even venture to claim I was successful, in that my old Dragon Age and Mass Effect comedies were always my most popular fics, and they're still getting hits and comments and bookmarks and everything 7-8 years later. (UGH, I'M OLD.) Recently, I've been experiencing the same trends with my Fire Emblem: Three Houses fanfic. So, I know I *can* do it, but I'm also aware of the contextual differences between writing something humorous in an existing universe vs. starting from scratch with everything.

I'm still making great progress with my new project, Elemental Forces. I'm still not sure if we've established it can be a "comedy," but it's definitely on the more lighthearted end of the spectrum. I'm not attempting to land joke after joke after joke, but I made an effort to set the tone early on, and that tone (hopefully) is "this book will make you smile and feel good." As I mentioned in my last post, it's heroic fantasy and, of course, romance, since I consider myself a romance writer first and foremost. Since it's romance, there will be some emotional and poignant scenes in addition to the fun ones, because I'd argue you can't really have a romance without those, but THAT is another topic for another post.

In the meantime, I'll switch back to my Word document now, because I am still writing up a storm and it feels GOOD! (Might as well end on a "smile/feel good" moment!)

Full Speed Ahead

 (requisite reminder that Blazing Justice is available on Kindle Unlimited now!)

Guys. Everyone. Y'all. Something crazy is happening.

I am writing and I am writing fast.

Well, fast for me, anyway. I know there are writers who crank out thousands of words a day and go back to edit them later, and I know there are writers who lovingly pore over each word as it caresses the page and have little editing to do at the end. Neither of those approaches is right or wrong. I personally tend to hover near the slower end of the spectrum, like it or not.

I've discussed before about how once I had kids, it was often difficult to 1) carve out time for writing and other hobbies, and then 2) actually be productive and not just zone out in a rare quiet moment. The kids are getting older (they started virtual kindergarten this week!), and while I wouldn't necessarily say things are getting easier, the new sets of challenges maybe aren't as physically draining all of the damn time. There are definitely days where once they're in bed, I just want to park myself on the couch and click around on the internet, but I often try to at least get something done.

So. The new project. I spent some time this summer writing Fire Emblem: Three Houses fanfic and marveled at how quickly I could pop out a short story. Maybe it was finally time for me to apply that to my own original writing?

I decided I wanted to stick to a similar genre in the hopes that the energy would carry over, so I started my new heroic fantasy* romance on August 30th. For the most part, I've been maintaining my pre-childrearing rate of at least 500 words a day, and I'm four chapters in. Since it's fantasy, I'm relying on some popular tropes (because everything uses tropes to some extent anyway and you will never convince me otherwise), but I'll be playing around with some of them at the same time. It's light and fluffy, but the characters have depth and heart. Most importantly, I'm having fun, and that's contributing to the words spilling out on the page. 

 

*Before getting started, I spent some time, of course, on TV Tropes reading about the differences between high fantasy, low fantasy, heroic fantasy, etc. This is definitely heroic fantasy. The dragons show up in the third sentence.

 

Will I be able to keep this up for the whole project? Perhaps. I'm bound to hit a slump eventually, or have to deal with a section that's just not working out quite right, and so on. But for now, I'm really satisfied with my writing output for the first time in a very long time.

 

New title tag in 3...2...1....