The Home Stretch (of what feels like a marathon)

The release of A Flame Among the Stars went swimmingly, which is always a good thing. Reviews are popping up on Amazon and Goodreads, and they're largely favorable. As of right this second, I don't have any additional promotional events coming up, but that can always change!

As the saying goes, however, there is no rest for the weary. In addition to wrapping up AFAtS and promoting it, I've been working on finishing up the Geneva/Searching the Skies series. Book 4, Chasing the Skies, kind of went slowly, probably because I was promoting a bunch of other things while trying to write. There were a few times I questioned whether I still liked the plot I'd come up with, and one night I even debated scrapping the whole thing, but it worked out, it's done, and I'm satisfied with the results.

So, here we are at the end with Book 5, Conquering the Skies. I had a better mental outline going in than with Book 4, though there are still some details in the middle I need to flesh out. By my calculations, I estimate I'm roughly about a third of the way through, but since this is the final book, I won't mind if it goes a little longer.

It's funny - after spending so long with these characters, there are points where it almost feels like the book is writing itself. I know what they're going to say, how they're going to feel in any given situation. There have been times when I've had an idea for the plot, thought "no, that can't happen because of XYZ", and then actually included one of the characters pointing out that something can't happen because of XYZ. In fact, for the first plan I had for wrapping up one of the plot lines, I finally realized it would be out of character for our gruff but lovable space heroine and I have to do something different. (At least I realized before writing it out!) A lot has happened in five books, and I want everything to make sense and be satisfying for readers.

I still have a fair amount to write. As I've said before about other projects, I'm not quite at the point where I can say "the end is in sight!", but that point of being able to say that may be in sight. And really, it feels like a significant place to be, near the end of a five-book series that I wasn't sure was ever going to happen. I have no idea what I'm going to write once I'm done with Geneva & Co., but I think I'll finally take a bit of a writing break and play some games and catch up with Netflix. But first, to the finish line!

Trope-Tastic Tuesdays: Birds of a Feather

Trope: Birds of a Feather

Description: We're all familiar with the Opposites Attract romance trope. Birds of a Feather is pretty much the opposite of Opposites Attract. (Oh ho ho, see what I did there.) Here, both characters in a relationship have similar personality traits and share common goals and interests. Birds of a Feather can also involve a number of sub tropes (though they're not necessary), such as Friends to Lovers.

Examples: Katniss and Gale from The Hunger Games, Harry and Ginny from Harry Potter, Tris and Four from Divergent, a whole lot of Jane Austen couples, many of the successful relationships on The Office

Pros: Birds of a Feather is probably a bit more realistic than Opposites Attract. After all, nothing but conflict after conflict would get exhausting after a while. People are often drawn to partners who are similar to them, and that can form the basis of a solid relationship.

Cons: In fiction, there has to be some conflict, or else things would get boring quickly. (Though that conflict doesn't have to come from inside the relationship, of course.) And even if the characters are similar, they have to have some distinguishing characteristics, or else the Love Interest just turns into a dull copy of the Main Character.

It's also worth noting in both the examples I mentioned and the full list on TV Tropes, Birds of a Feather is NOT a guarantee of a happy ending. Do with that what you will.

Would/Did I Use It?: Indeed I have! (I've also used Opposites Attract, but I think I lean toward Birds of a Feather more.) Most recently, I have Ro and Reggie from The Fall of the Midnight Scorpions. Soon after meeting, Ro even points out that she thinks they'll get along because he's a lot like her. That doesn't mean everything is sunshine and roses, though; some of the traits they share are darker or have negative connotations.

Probably the next strongest example I have of this trope is Jasmine and Aras from Out of Orbit. Both are strong leaders dedicated to the people they serve...and while this is one similarity that draws them to each other, it also poses a risk of interfering with their future happiness together.

Trope-Tastic Tuesdays: Author Avatar

(Parts of this were originally posted on June 6, 2013)

Trope: Author Avatar

Description: Not limited solely to books, the Author Avatar is a version of the creator of a work inserted into the work itself. This can work in a number of different ways. Sometimes the Author Avatar is the narrator, giving opinions on what's going on in the story. Other times, he/she just makes a cameo appearance as a minor character. Every now and then, you get a character who is obviously the creator's favorite and can do no wrong, leading to the dreaded Mary Sue (which, yes, can happen in canon works).

Examples: Charlie Brown/Charles Schulz; Dante in the Divine Comedy; Liz Lemon/Tina Fey in 30 Rock; a whole lot of Stephen King, Woody Allen, and Tim Burton characters

Pros: It's important to have a distinctive voice when writing, so why not use your own? Aspiring writers are frequently told "write what you know", so it makes sense to write it from your own point of view, regardless of whether you're blatant about it or try to camouflage it. I only chose a few examples for this post, but there are plenty of others out there. A lot of writing conveys the author's opinions and biases anyway, so you might as well really try sell it via your main character, right?

Cons: Make your Author Avatar unrealistic and flawless, and your audience is going to rebel. They'll probably rebel loudly, especially if they disagree with "the character's" opinions. Somewhere along the way, you're going to have to write a character that isn't a version of yourself. Don't let the Author Avatar become a crutch!

Would/Did I Use It?: Years later, my answer hasn't changed much. While some main characters I write are more similar to real-life me than others, I haven't intentionally put myself into a book, nor do I plan to. For fun, though, if I had to pick the character who comes the closest, I'd go with Veronica, the main character of Seductive Suspect. We all like to think we'd be a hero in an adventurous story, but when the shit starts hitting the fan in the book, Veronica locks herself in the bathroom and cries, which is probably what I'd wind up doing. Combined with her love for coffee, crossword puzzles, and snark, she's the closest thing I have to an Author Avatar.

Trope-tastic Tuesdays: Silver Fox

Before we get to this installment of Trope-tastic Tuesdays, a quick announcement: the newsletter subscriber bonus is going to be changing in a few weeks, so if you haven't already signed up and received your free copy of Sweet Escape, don't miss your chance! You can use the form that's over there on the sidebar, or this sign-up link.

Onward!

Trope: Silver Fox

Description: A person—often male, often with gray or white hair—who, despite their age, is still regarded as being attractive and charming. Silver Foxes are distinguished and powerful; after all, being older has its perks. If the Silver Fox is a love interest, the other half of the pair will usually be younger, though it's not required. To qualify for this trope, characters have to play by the rules - they have to *look* older, not just *be* older. No thousand-year-old vampires who look like they're in their 20s allowed, etc.

Allegedly, the female version of the Silver Fox is the Silver Vixen, but I'm going to be honest here, I don't think that idea is nearly as popular, which I'll expand on below.

Examples: Oh, hell, just take your pick of older actors who only seem to get better with age. There definitely isn't a shortage of them.

Pros: None of us are getting any younger, right? It's nice to know that even as we age past what's considered the "standard" ideal of beauty, there's still a chance others will find us attractive. In romance especially, this can be used as a shortcut to help establish a power dynamic, for better or worse. If a Silver Fox is in a relationship with another character, chances are he's not going to be the passive, submissive one.

Cons: Time for the standard disclaimer about how all appearance-based tropes for love interests are highly subjective! Okay, that's out of the way. The aforementioned power dynamics in the "pros" list can also be subjective, and it can veer into problematic territory if the Silver Fox is using his age and assumed privilege to influence his partner to do things she may not really want to do.

I said I'd come back to the gender issue; as much as TV Tropes may try to convince me otherwise, I do feel like this one favors the men, and I'm not sold on the "Silver Vixen" thing. I mean, a good number of the women on their list of examples didn't have gray or white hair. I suppose we could debate whether the "silver" part is supposed to be taken literally or if this is all just about a general persona. Regardless, there's a whole lot to unpack here about how society sees men aging vs. women aging.

(If someone knows the difference between "Silver Vixen" and "Cougar", PLEASE enlighten me.)

Would/Did I Use It?: I do have a few entries for this trope! First up is Colin, one of Celeste's potential love interests in Blazing Justice. He's older than her, he's her boss, and yup, he's got the hair. It's no secret that other women in the office find him attractive, too. Lucky her.

I'm going back and forth on whether Edwin from Closing Montage qualifies. He and Abigail take a trip through the highlights of their lives via virtual reality, so obviously he's an older man by the end, but she's aging, too, so there's no contrast there. Additionally, there's one point where he questions whether she's still attracted to him in his older form (SHE IS!), so his lack of confidence may prevent him from being a true Silver Fox.

Bonus mention of Aras in Out of Orbit - he's over 500 years older than love interest Jasmine. Despite the fact that he may not look so old to her, he's considered to be in the older age range for his species. Plus, since he's the ruler of his planet, he's got the elevated status that contributes to this trope. While he doesn't have any hair, his skin is silvery gray, so I will insist that counts and add him to the end of this list. :D

Trope-tastic Tuesdays: Insecure Love Interest

Trope: Insecure Love Interest

Description: Even if one character in a couple thinks their love interest is great, the love interest may not feel that way themselves. This could be one of the obstacles in the way of the pair getting together, or even continue after they've officially embarked on a romantic relationship with each other. And if the relationship doesn't happen right away or there's major problems to be dealt with, the Insecure Love Interest totally understands. Why would anyone want to be with them anyway, right?

Examples: Every damn romance option in Dragon Age II (though I love them all so hard) and at least half of them in Dragon Age: Inquisition; Chuck toward Sarah in Chuck; Katniss toward Peeta in The Hunger Games; a rare yet excellent music example in Tal Bachman's She's So High (shut up, I love my 90s station)

Pros: Man, if this one doesn't hit close to home for a lot of readers/watchers/players/listeners/whateverers. Who hasn't felt this way in their relationships, aspiring or established? (If you're raising your hand right now, I'm not sure if I believe you.) If you want to make a character realistic and relatable, this is definitely a valid option.

Cons: Keep pushing someone away and eventually they'll stay there. Also, realistic though it may be, if the insecurity doesn't get resolved or drags out for too long, it's going to become annoying instead of endearing.

Would/Did I Use It?: This is pretty much the basis for the plot of Hunting Astrid, where Astrid can't believe Tabitha would want to be with her, to the point where she's still sitting around questioning her own insecurity while Tabitha is literally fighting through a virtual world in order to win her love. Thankfully, Tabitha manages to talk some sense into her. To a lesser extent, Jasmine from Out of Orbit feels this way toward Aras for a little while, trying to convince herself the ruler of the planet where she crash landed is only being kind to her due to her unfortunate circumstances and would never have any romantic interest in her...or would he?

I do want to point out that I try to be cognizant of that list of cons when writing an Insecure Love Interest and try not to dwell on the insecurity. Even if a couple gets together before the end of a book, conflict can come from plenty of other places, of course.

Trope-tastic Tuesdays: Hot Chick in a Badass Suit

(Parts of this were originally posted on February 7, 2013)

Trope: Hot Chick in a Badass Suit

Description: No link to the trope this time, because apparently in the years since I wrote the original post, TV Tropes has decided a list of women suits isn't trope-tastic enough. I still think it's a valid way to convey some information about a character, so good thing I have my description handy:

The Hot Chick in a Badass Suit means business - don't mess with her, or you will probably regret it. She's successful and she's confident in both her profession and the way she carries herself. While short skirts are a possibility, she can look just as good in a long-sleeved pantsuit that covers her chest, because her tailor is just that talented.

Examples: Agent Scully from The X-Files, most of the female lawyers on Law & Order, with special shoutouts going to Abbie Carmichael and Alex Cabot, because damn, those were some enviable suits. (Update: Let's add Connie Rubirosa to the list of notable ADAs with badass suits on Law & Order)

Pros: Want to instantly make the audience think "strong female character"? Put her in a Badass Suit. If she's wearing a Badass Suit, we can assume she must be intelligent and have at least some level of personal skills, as she's advanced in her career enough that the suit is deemed necessary to appear professional. Also, if she cares about her appearance and the way she's perceived in said career, we know she's passionate about something.

Cons: As was even covered in at least one episode of Law & Order, to some people, HCiaBS can equal "uptight bitch". I personally hate that it's an issue, but this is a list of cons, so I should point it out. One person's "strong female character" is a misogynist's "uppity woman who needs to be put in her place", after all. (*grumble*) I guess this might be a case of making sure you know your audience in order to determine how the HCiaBS is going to land.

Would/Did I Use It?: Years later, I do have some of my own examples to contribute to this trope! (Take that, TV Tropes!) The obvious one is Celeste, the main character of Blazing Justice, which drew a whole lot of inspiration from my love of Law & Order, so we can all see how I wound up there. I won't tell you in which ending(s) she keeps the Badass Suit on and in which one(s) she trades it in for something else. ;) I'd also make the case for Astrid from Hunting Astrid - while she's not in a full suit while at work, she's wearing a dressy blouse, pencil skirt, and heels when she makes a presentation to applicants to the company she works for, future love interest Tabitha included. Later on, Tabitha even comments on enjoying seeing her out of her straight-laced business attire while on a date, so I'm going to say this one's close enough to count.

Video Games, Part Whatever - Fire Emblem: Three Houses

My go-to answer for anyone who asks how lockdown in NY is going is "we're hanging in there." We've had our ups and downs, and I'm really not up for discussing the downs right now. I started playing Fire Emblem: Three Houses on the Switch...last week? Two weeks ago? Time has no meaning right now. Either way, the game is about the only thing keeping me even partially sane right now, so even though I'm only halfway through it, I figured I might as well sing its praises in a blog post.

I've never played a Fire Emblem game before, nor did I know anything about the series going in, other than some general awareness of its existence. But once I acquired a Switch (hidden in a dark corner of Costco; there were only two left, so I'm kind of proud of myself for finding one), gaming/creative buddy Boobulon recommended Three Houses, assuring me I'd either like it or love it. We've never steered each other wrong before when it comes to gaming recommendations, so I got the game. As I mentioned, I just passed the halfway point, but so far, so good!

In no particular order:

Characters: Probably what's impressed me the most about this game is the character development. The cast is HUGE—we're talking at least 30 individual characters, and while of course some are more significant than others, there really aren't a whole lot of what I would consider "minor" characters. Naturally, the game does rely on some tropes; it would be impossibly not to. But while it would be easy to have some characters be reduced to nothing but one-dimensional tropes or stereotypes, everyone's got different traits and backstories to fully flesh them out. And while I have my favorites, there isn't even anyone I really dislike, which is also impressive.

Setting: Since I haven't played any other games in the series, I'm sure there's a ton of lore I'm missing out on. Even without all that context, though, it was easy enough to learn about the fictional world in its state as of the time of the game. It's pretty basic medieval-ish fantasy—all humans, fighting with weapons like swords and axes, but some characters can use magic, and there's mystical creatures/monsters like dragons and wyverns and such. There's a definite class system, with nobility vs. commoners being A Thing, and there's also a centralized religious institution playing a role in all the political drama. Again, I'm sure there's stuff I'm glossing over since I don't have the context of the past games, but it all makes enough sense to me.

Plot: As always, I try to remain as spoiler-free as possible before playing. However, I'm pretty sure it's even in the game's description (the blurb, if you will) that close to the beginning, you have to choose one of the titular three houses to align yourself with. That right there increases the replayability factor, since while you can build relationships with people in other houses, it's more challenging. I also knew going in that the game is clearly split into two halves, with a time jump in the middle. I know there's a lot of differing opinions out there about time jumps, but personally, I don't mind it. I don't consider it lazy writing, and I think it allows for a lot of character growth. (Probably one of the reasons Dragon Age II is my favorite of that series, since I think it has the strongest companion characters, and the time jumps allow for that level of development.) Aside from the house selection at the beginning, there are also some places where the plot branches out in different directions, so I know I'll need to go back and replay for those choices, too.

Aside from the structure, everything else seems well-organized and planned out. Some big plot events were heavily foreshadowed, so I wasn't surprised at all when they happened. On the other hand, there was a big twist I didn't see coming AT ALL, to the point where I was shouting profanity at my TV screen and was PISSED for the rest of the night (but in a good, entertained way!). And then once I got over my surprise, I realized that looking back, there were quite a few hints dropped leading up to it, which just makes it even better.

Gameplay: I'm playing on the easiest mode, so I won't go into a whole lot of detail here. It's turn-based combat, which I know some people don't love, but I like the logic and thought and planning that goes into it. Then there are little side things, like gardening and fishing, and leveling your character up, and choosing how to develop the skills of the rest of your team, etc. Some parts of it I think are as easy or as complex as you make them, but I haven't gotten frustrated with anything yet.

So there we are, a little past the halfway point, and about 60 hours in, according to my main save file. If you need a distraction to get your mind off of everything else that's going on right now, either on a global level or a more personal one, I highly recommend the game. (I'm assuming nothing's going to happen to change my opinion to a negative one by the end, but I suppose you never know....)

New Project, and a New Year

Fire Beyond the Frost is still doing well, I'm happy to report. It's fun to see what other people have highlighted!

So I did wind up starting a new project after all. And...I like it. It's fast-paced, exciting, and...dare I say it...FUN! Okay, maybe the emotional impact of this one won't be huge, but it'll make up for it in other ways, I promise. I just finished off the introductory chapter, and I think I hit the right balance of setting the scene without a giant info dump, letting the relevant details come off naturally. My original plan was to have this be a quick little novella, maybe in the range of 20K - 30K words, but more and more ideas are coming up, so it might wind up a little longer. Yay.

Not everything is going 100% smoothly. But you know what? That's fine. I'm struggling a little bit with the balance of Main Character 1, between being a badass and showing some vulnerability, but I'm sure the more I write her, the more solid she'll become. (MC2? Total badass. At least 99% so.) My current outline has some gaps and I'm still moving things around, but I'm confident it'll work out. I used to be more of a pantser than a plotter, and maybe this will help me just get the damn words onto the page.

I definitely wanted to finish this opening before the end of the year, and I'm glad I hit that goal. Next week will be the usual holiday season craziness. I'm hosting Christmas Eve for my side of the family. (My mother claims I'm getting off easy because there will *only* be 17 people. Only. <_< ) Then Christmas Day at the in-laws, which is going to be kind of small and low key this year. (As low key as my mother-in-law gets, anyway.) Then the buffer day I insisted on, and then we're taking the girls to Disney World for the first time! One of the reasons I planned this trip was because I was practically on death's door this time last year, so everyone's super excited, and even though I know it'll be insane, I'm looking forward to it. I doubt I'll get any serious writing done during those five days, but I might slip a notebook into my backpack just in case the girls crash early one night and I need something quiet to do in the hotel room.

On that note, this will likely be my last post for the year, so I wish you all a wonderful holiday season, and here's to a great 2020!

Brand new tag for the new project being created in 3...2...1....

A Little Rusty

Which skills am I referring to with this title - my writing skills, my decision making skills, or a little bit of both? Probably both. Both is almost always an accurate answer.

So I finally got back to Sonata for Springtime, which I started over a year ago, and then life got in the way. (Ugh.) I finished up the stupid transitional chapter that had been plaguing me for most of that year (ugh again), and one would think that now I'm on to more exciting things, the words would be flowing freely. Ehhh. I'll get there, I just need to get into some better writing habits.

Following the flurry of the last edits and subsequent release of Fire Beyond the Frost, and then cleaning up some short stories that still need a home, I did think long and hard about whether to shelve this one temporarily. Part of it is a confidence issue - do I really love the plot and characters as much as I once did? Can this work be as good as I want it to be? Do I think readers can/will love it as much as I do?

Then as all writers know, there's always the allure of shiny new ideas lurking around every corner. Starting a new project is always exhilarating...until you realize you actually have to finish something every now and then. I'll admit it, I was thisclose to starting something new, and I even had another idea from my list all picked out and ready to go. FBtF was heavy on the sci-fi setting, and I had the urge to create a similar fictional world. The plot and characters would have been a bit more edgy and fast-paced, and my projected word count was lower. Sure, I didn't have every single plot point outlined perfectly, but that can always be figured out as you go along, right?

Ultimately, what it came down to is I haven't quite figured out the emotional core of that other idea. Not every character has to have some deep, dramatic history, and there's nothing wrong with a light, fun novella, but there's still a certain spark missing in my head for these characters. I haven't figured out what motivates them or all the facets of their personalities, and I don't want to wind up relying on tropes or cliches. Aside from that, I'm thinking I might need to rework some of the initial setup for the plot, so it's going on the backburner for now, and SfS has emerged victorious. Believe me, there's plenty of well-planned characterization and all sorts of emotions going on there. I just need to actually WRITE it all down.

Imperfection

The first round of edits for Closing Montage is done. The nice part about it being such a short novella is there wasn't a whole lot to be done there. Or, more importantly, there weren't many moments that made me go "oh god, I'm such an idiot," which might be a first. We might be able to do a release date at the end of this month, so stay tuned for news on that front.

Despite the edits not being too extensive, I still had to, you know, sit down and actually do them. Which turned out to be a little more challenging than usual. My family (the four Landens, plus my parents) is on vacation and...well, it hasn't been our smoothest trip. My parents own the house, so at least we're not out any money, and we're still managing to have fun. But some of the highlights of things not going well include both the washing machine and the central air dying, the worst thunderstorms this area has seen in years, and me getting an order for a crapload of work for the day job that seriously made me want to cry when I first saw it. (Yes, I brought my work stuff with me. Yes, that sometimes sucks.) I'm probably missing some things, but I think those are the worst. It'll all be fine eventually, though. And at least the torrential downpour meant there wasn't a whole lot to do, and I knocked out most of my work the other day.

Somewhere in all of this, I'm also still trying to work on my current project. I at least wanted to finish the significant chapter I'd been working on before we left, but though I came close, it didn't happen for various reasons. One of the reasons it's an important chapter is because a lot of the second half deals with how the hero, the POV character, views the heroine/eventual love interest/whatever you want to call her. (I have decided to call her Natalie. :P )

In some ways, Natalie has been proving more tricky to write than I first anticipated. Most of the time, writers want readers to fall in love with our main characters, or at least like them. And likeability is subjective, of course. Characters can't be perfect people, or else they'll be unrealistic, but too many flaws can make them off-putting. It's a hard balance to achieve.

So, Natalie: she's outgoing, bubbly, and has some hidden and not-so-hidden talents. It's also pretty obvious right from the first chapter that she's not making great life decisions and is setting herself up for disappointment. I wanted that particular conflict to be set up right away, but at the same time, I don't want her to come across as overly childish or naive, especially considering her other traits. In other words, while she's perky and optimistic (maybe even "cute"), I don't want her to come across as a blithering idiot. There's a fine line there. And all this is complicated by the fact that we're seeing her through the main character's eyes, and I don't want readers wondering why he's attracted to her in the first place.

I'll get there. She'll get there. We'll all get there. Ironically, in the beginning of this current chapter, I wrote about the characters doing laundry, so they're already ahead of me on that front.

Going Back to the Same Well

As my old series Trope-tastic Thursdays indicated, tropes are not a bad thing. We all use them, whether we're aware of them or not. I'm sure I'm not alone when I say there are some tropes I like better than others, and some themes or character types keep popping up.

I'm on Chapter 3 of the new project, Sonata for Springtime. (I had to take a little break due to Influenza B, but I'm better now!) The characters were pretty fleshed out in my head before I even started writing, but now that I'm actually writing, they're becoming more and more defined, of course. In writing my protagonist, Jonathan, I'm finding a lot of similarities between him and other main characters I've written in the past.

This character type that I'm apparently so fond of is not particularly happy or unhappy. He's just plugging away, letting life happen. No major struggles, but no great passion for anything, either. He's just kind of...there. But then BOOM! Romance happens. Or at least the chance for romance arises, because we still need some conflict to drive the story forward.

Let's take a look at my backlog and see how many times I've done this. Stephen from The Edge of the Sphere definitely qualifies, as he's probably one of the most passive characters I've ever written (in the first half of the book, anyway). Caleb from Flight of the Dragon Queen (the 1Night Stand series) probably also qualifies, though at least he was slightly more proactive in contacting Madame Eve for a date. In Out of Orbit, Aras was content with his life until Jasmine almost literally crash landed in front of him. And then we have a rare female example with Veronica in Seductive Suspect, who gets shoved into the story's plot by her sister.

I don't know why I keep coming back here. I've done plenty of other heroes and heroines, including some who have suffered great trauma but are cured by True Love Forever. (Or, as my college friends used to call it, the "fuck the pain away" plot. :D ) Maybe it's because even though I love sci-fi and fantasy and all these wildly imaginative worlds, I also like regular people doing regular things. We can't all be dark and brooding, after all.

So while I could probably use a little more variety in my writing, it's not like all these characters are exact clones of each other, either. It's working for the story I want to write, so I'm not going to create some tragic past or heroic adventure for Jonathan just to mix things up. He'll have plenty to worry about anyway as the book progresses, don't you worry.

New Things For Spring

(almost nailed the rhyming title, but not quite)

Lately, it seems that all of my creative-minded friends have been talking about what new project they want to embark on. I would say something poignant and poetic about it having to do with the time of year, with spring just around the corner, and everything waking up and getting ready to bloom, blah blah blah, but I'm in the part of the country that got smacked by a number of storms in a row and not all the snow in my yard has melted yet. So we'll save that for another couple weeks. ;) 

My writing fingers are getting itchy already, even though it feels like I just finished up the most recent novella and sent it off. Usually I take a break to read some books, play some games, and see what's new and exciting on Netflix, but other than a couple books I'd wanted to read for a while, nothing else is really calling to me. I guess I might as well start something new, then!

Of course that leads to the all-important question...what should I start next? As any writer or other creative-type knows, there are always plenty of options and not enough hours in the day to tackle them all. Some of my ideas have been bouncing around for years, while others are fairly new. Some are pretty fleshed out, while others are nothing more than little snippets yet. Here's my list of mostly-baked ideas (all romance):

Option 1
Pros: Except for figuring out the order of some scenes in the middle, I basically have the major plot points outlined. The characters are fleshed out in my mind. I realized lately I haven't written anything in a male POV in quite a few years now and I'd like to go back to it for a change. One plot thread is something I've wanted to write about for a while.

Cons: It's...fluffy. Not that there's anything wrong with fluff, but nothing about the plot is particularly earth-shattering or ground-breaking. Also, it's in a contemporary setting, which I've been finding myself writing in a LOT lately, even when the stories have sci-fi or fantasy elements.

Option 2
Pros: I was so excited about this one, I almost started it over the summer. I even did some research with a friend. It's got a dystopian setting, alternate dimensions/timelines, and all sorts of more complex stuff to wrap my mind around. The two main characters are pretty well established to me.

Cons: All of that aforementioned complex stuff takes a lot of plotting, and I'm not quite all the way there yet. There are also some big issues I have to decide how to tackle - stick with familiar tropes, or throw caution to the wind and do my own thing? (The latter takes more work, of course.) While I have the major plot points figured out, there's still a looooooot of blanks to be filled in.

Option 3
Pros: Action! Sci-fi! Edgy smartass main characters! The plot is mostly done! Pew pew pew!

Cons: I don't feel like I know the main characters well enough. I still need to figure out their goals and motivations beyond "I want to meet someone attractive and bang them." 

Option 4
Pros: I know the characters and the plot. Though it's mostly a contemporary setting, there are some sci-fi elements to play around with. Also, the romance is a menage, which I haven't written in yeeeeeeeeeeears.

Cons: Even though everything is plotted out for the most part, I haven't 100% convinced myself that the plot is a good one and something I should commit to writing. And even in my head, the female lead seems a little bratty, and I need to work on ways to tone that down.

I guess this is a good problem to have, right? Nothing's set in stone, but as of right this second, Option 1 is calling to me, fluff be damned. And if it's calling the loudest, I should probably listen!

I should also probably save this list for the next time the same issue arises, but who knows how many options I'll have to add by then!

Evil Or Not?

I had the idea for this blog post bouncing around for a while, and then Tuesday happened. I'm not going to spend time on politics here for various reasons, but let's just say that I have been very tired this week, and a lot of my computer time was spent zoning out to mindless stuff. Despite my best efforts, I just wasn't in the mood to get a lot of writing done, but I'm hoping to fix that. And as I think about it, this post I planned may have some relevance to current events (but again, I'm not going to delve too deeply into them here).

So I've been plugging away, slowly but surely, on Seductive Suspect and its varied cast of characters. One of them, Dylan, is...well, he's kind of an asshole. He alternates between arguing with the others and keeping to himself, makes inappropriate comments, and is just mostly unpleasant to be around in general. If we're being honest here, I based him on what we in the gaming world refer to as the "dudebro gamer". In some ways, writing him (and others' reactions to him) is fun; in others, it's been a challenge. While he's not a "nice" person, does that necessarily make him bad, or evil?

In that sense, villains are easy. The ultimate villain (as he doesn't appear that way initially) of the Disintegration universe, Dr. Zedek, was fun to write, as he had few redeeming qualities and was supposed to be the bad guy. By the end of his arc, I loved to hate him, and I hoped readers felt the same way. But what of the characters who don't fill the role of the antagonist? How bad is too bad?

Now I have a silly confession to make. When I play Mass Effect and Dragon Age, I make the decisions I think are best during my first run, and then when I replay, try to make different ones. Even when I'm playing a different sort of character, sometimes I really struggle with what I personally feel to be the less moral choice.* Part of me wants to see all the possible outcomes, but there's another part of me that just can't do certain things. Heck, sometimes I even feel bad picking certain dialogue options that don't have much of an effect on anything else. And then there are decisions/plot points that I think are completely terrible and I could NEVER bring myself to make a certain choice...and then I poke around the fandom and find people who think it's the right thing to do and can't imagine playing otherwise.** Gray morality, yo. Or, different people think differently.

So back to Dylan in this current book. Is he a horrible, irredeemable person? No, probably not, in that he's not plotting world destruction or anything like that. I still wouldn't want to hang out with him for too long, though. It's taking effort to find the balance of how far to go with him, developing his character without making him too over the top. Because realistically, some people are just jerks.

*In Mass Effect, even when playing a Paragon, I always let the Council die and shoot Udina myself. Those assholes had it coming.
 **In Dragon Age 2, I am horrified by the idea of giving Isabela to the Arishok at the end of Act 2. But there are a ton of people out there who feel the same way about her as I do about the Council and Udina. Fascinating.

Interpersonal Relationships

In between working on promotion stuff for Out of Orbit (watch out for cool stuff in August!), I'm slowly but surely plugging away on Seductive Suspect. It's still too early for a really good estimate, but if I had to guess, said estimate would be I'm somewhere between a quarter and a third done. Probably closer to a third, but who's counting?

As I've mentioned previously, this book has the largest cast of anything I've ever written. Something I noticed when writing The Fall of the Midnight Scorpions, which also had a lot of major characters, is how it's interesting to see how the relationships between some of the characters develop. I mean, I primarily write romance, so obviously there's going to be a capital R Relationship between the two leads. But it would be unrealistic if the other characters never interacted with each other, and it's worth spending some time developing that.

Aside from the main Relationship, I didn't really plan for those other interactions. As I started writing and the characters came to life, it sort of just happened naturally. Which isn't a bad thing at all; we always want our writing to be natural! At this point, Laura despises Dylan, who is completely oblivious to her feelings. He, in turn, doesn't like Paul. Paul knows, but doesn't care. And lest you think everyone hates each other, Ruth is very protective of Brittany and tries to help her out when she can. Need a flow chart yet?

Doesn't matter, because EVERYONE'S GOING TO DIIIIIIIIIIIIEEEEEE!

Okay, not *everyone*.

The Name Game, Part 4

Here we are at the final installment (for now!) of this name-related discussion. It was delayed slightly by a nasty eye infection I've been battling for two weeks (boo!) and the first round of edits for Out of Orbit (yay!), but I'm back and in blogging action. But I will blame any typos on my gradually-recovering eye.

One issue I sometimes encounter when writing: when do you name a character? The major and minor ones are obvious. Most of the time, main characters need names. (And yes, I know there are plenty of books with an unnamed narrator, which is why I said "most of the time".) On the flip side, not every single person the main characters meet needs to have a name, especially if their role isn't all that significant. It's the ones in the middle I sometimes struggle with.

Too much extraneous detail can confuse or distract a reader, and we certainly don't want that. That said, the vast majority of real-life people have names (duh) and it's nice to acknowledge that. But do we really need to know the name of every single person we come across? We can probably even argue that you can have a significant interaction with a person without ever knowing his/her name.

Over the years, I've come up with an incredibly basic rule of thumb for myself: for minor characters, only name them when it would be awkward not to. There have been times when either a character winds up playing a larger role than initially expected, or someone takes up enough room on a page that not seeing a name attached to them just looks weird. The biggest example of this in my books is Captain Sampson in Flight of the Dragon Queen. For the longest time, he had no name, and was just referred to as "the captain". But after a while, that wasn't working out for me, and I needed to do better.

There are plenty of people mentioned in Out of Orbit who never got a name. But there was one instance where Jasmine had a long enough conversation with someone that I had to name him. He only shows up in that one part, but the flow just seemed off when he didn't have a name.

Come to think of it, "avoid being awkward" is a great rule of thumb for a LOT of writing-related things.

Next up: I'll finally start talking about my latest WIP (the first chapter of which is complete)!

Ducks in a Row

It's that time. My writing fingers are getting itchy and I think I'm ready to start a new project. It's an exciting moment - opening up MS Word, seeing that beautiful blank page, and going to "Save As". But am I really ready?

I don't have a formal checklist of tasks I need to complete before I decide that an idea is developed enough to become its own story. However, some things I need to have in place before I'm willing to start. Here's a random list in no particular order:

Character Names: The main characters MUST have first names picked out before I will even write the first word. Names can say a lot about a character right off the bat, and I want to make sure they're a good fit. Last names, though, I'm willing to be flexible on. They don't come up as often, and as such, I've used placeholders before if I just want to get down to it. And actually, when I finished the first draft of Elysium, I decided to change the male lead's surname for various reasons. (Thanks, search & replace!) I'll usually run a google search on the name combinations to make sure I'm not inadvertently naming a character after someone well-known.

Place Names: UGH. I HATE coming up with fictional place names for sci-fi/fantasy. Haaaaaate. Again, I've used placeholders here before just so I'm not sitting here, staring at the screen for an hour trying to find a name that doesn't sound stupid.

Title: Ha. Hahahahaha. Hahahahahahahahahahahahahaha. The issues I've sometimes had in the past with coming up with the perfect title have already been well-documented on this blog, so I'm just gonna leave that there.

Plot: Since I primarily write romance, 99% of the time the endgame is going to be "happily ever after", so that's taken care of. Getting there is, of course, a much different story. In thinking it over, I guess I don't really have any hard and fast rules here for what needs to be in place before I start writing. Although I write in order, sometimes I get going and realize that where I've decided to start the story is not the best place, and changes have to be made. Other times I think I've reached the end, only to learn that nope, there's more story in there somewhere. I usually have a basic framework in mind, but any outlines I make don't take a firm shape until I get started.

So where am I now? My two leads have first names. When I first started composing this post, my heroine didn't have a surname, but as I was climbing into bed last night to go to sleep, the perfect name popped into my mind, so yay? (Google has confirmed it is a good choice.) I don't have a name for the fictional planet most of the story will take place on. I know how I want to start the story, I know what the climax will be, but I haven't quite figured out the denouement. Bits and pieces of the middle are fleshed out, and I have some specific scenes and character development in mind. I think I'm good to go.

The title, though? Ha. Hahahahaha. Watch this space in a couple months for the usual freakout about how NOTHING SOUNDS RIGHT. I suppose I'll have to name that new Word document something vague.

Book Tour for The Fall of the Midnight Scorpions

The book tour for The Fall of the Midnight Scorpions kicks off today! I'll be commenting and tweeting and sharing and whatnot, but here's the schedule so you can follow along as well for some new excerpts and fun interviews. (Don't be shy about showing some love to the generous tour hosts!)

September 14^th: Starter Day Party @ I Heart Reading

September 14^th: Book Excerpt @ Author C.A. Milson’s Blog

September 15^th: Book Excerpt @ Indy Book Fairy

September 16^th: Book Excerpt @ Solafide Publishing Book Blog

September 17^th: Author Interview @ Teatime and Books

September 19^th: Book Excerpt @ Books Are Forever

September 21^st: Author Interview @ Editor Charlene’s Blog

September 23^rd: Promo Post @ Books on Fire

September 24^th: Book Review @ I Heart Reading

September 26^th: Book Excerpt @ The Single Librarian

September 28^th: Character Interview @ Compelling Beasts Blog

Meet the Team - Ro Bernard

Last one! And my favorite, of course! (from The Fall of the Midnight Scorpions)

Name: Ro Bernard

Role: The Leader

Country of Origin: Palavia

Known associates/affiliations: Former member of The Midnight Scorpions

Greatest accomplishment: Winning a training tournament with other new recruits at the time of her initiation, despite being younger and smaller than most of the competitors

Biggest fear: Never doing anything significant with her life

Additional information: Her full name is Rohalia, but only two people ever called her that. She thinks it's too frilly.

Trivia: After all this time, I still think Ro's my favorite character that I've ever written. I almost feel bad for everything I've put her through, but I know she'll keep getting back up no matter how many times I knock her down.

Anyway, on to real trivia. When writing the original Disintegration, she came very close to being named Rosie (partially due to the song "Cracklin' Rosie"; what can I say, I'm a closeted Neil Diamond fan), and I don't even remember why I changed it at this point. However, it does resurface as a nickname in this book.

Due to my affinity for her, I guess, I've been asked before if Ro is supposed to be me, or an extension of myself, or a projection of how I'd like to be. The answer to that is a big no. Sure, we have some similarities (I assume that's the case with most of the characters I write since, well, I'm writing them), but I assure you, she is not intended to be a self-insert character. We're both a bit snarky and we both hate to cuddle, but that's about it.

And so we come to the end of the "Meet the Team" series. I hope you had as much fun as I did, and don't forget to check out the rest of Boobulon's artwork and show him some love!

Meet the Team - Reggie Quinn

(from The Fall of the Midnight Scorpions)

Name: Reggie Quinn

Role: The Muscle

Country of Origin: Charytar

Known associates/affiliations: Occasional patient of Dr. Cassels; cousin to Ted Quinn

Greatest accomplishment: Leaving home and becoming completely self-sufficient at age 15

Biggest fear: Dying alone

Additional information: There are a number of allusions (some made by Reggie himself) to how not all of the jobs and tasks he's performed in the past were completely legal, but he chooses not to reveal specifics. He also mentions some siblings, but they're not close. How and why Ted is the only member of his family he regularly contacts isn't stated, but in some ways, they both need each other.

Trivia: To continue on with how completing Mass Effect was on my mind when I started writing, I'll admit I was thinking of James Vega when creating Reggie. Though if I had to pick a real-life person to model him after, I vote for Channing Tatum. ;)

Without giving away too many details or spoilers, I'll say that I loved writing Reggie's interactions with Ro. "Opposites attract" plots are all well and good, but one of the reasons I love them together is their similarities. There's plenty of witty comments and snark to go around, and that made writing just plain fun.

Meet the Team - Zara Thorne

(from The Fall of the Midnight Scorpions)

Name: Zara Thorne

Role: The Comm. Specialist

Country of Origin: Tektan

Known associates/affiliations: Graduate of Coral City University

Greatest accomplishment: Building devices and pioneering technology that (most of) her friends can't even understand

Biggest fear: Humiliation

Additional information: It's not specified in the book exactly what sort of skin condition Zara has; probably something along the lines of eczema or psoriasis. But, as Mielle says, we're not supposed to know about that (and Zara herself never directly acknowledges it).

Trivia: I guess I sort of set up a Betty and Veronica dynamic with Zara and Mielle without intending to. Oops. But just as every team needs some sex appeal, it also needs the shy, nerdy girl, too. Right? ;)

I don't always have people in mind when I create characters (either people I know or actors/actresses), but when writing Zara, and later helping with this artwork, I thought of actress Ariel Winter (from Modern Family) for some reason.