Off the Shelf

Firstly, the release schedule for the Searching the Skies series is still being finalized, but I promise I will let you know when I have details!

Okay, so. Summer has ended, the kids are back in school (thank GOD), and we're all returning to reality after some great vacations. I held firm and did not write a single new word of fiction after finishing up the Skies series in early July, but of course, I was thinking about what I wanted to work on once my self-imposed break was over. As always, I had a few different ideas to choose from, each at a different stage of development.

Let's backtrack a bit. Longtime readers and followers of this blog will remember the saga of Fire Beyond the Frost. To recap, I wrote the whole book, eventually decided I wasn't 100% in love with it, shelved it for a while, and then came back to it. I wouldn't say I did a complete overhaul of it, but I re-edited it and tweaked some scenes. (And, if memory serves, I got rid of one entirely.) Interestingly enough, when it was finally published, it became my most popular book, and I think it's still my highest-rated one on Goodreads.

Back to the present...ish. A few years ago, I was working on a contemporary romance project, and got far enough that I even gave it its own tag here on the blog: Sonata for Springtime. For whatever reason, I just couldn't seem to gain any momentum on writing it, despite having a decent outline, and every paragraph felt like a slog. Rather than forcing it, I decided to put it to the side for a while, and that was when I started writing Hunting Astrid (which also was a success, so that was the right decision!). I didn't know when, if ever, I would return to SfS, but it stayed in my files (as well as its backup), and I did still like the basic story and the characters.

As I started contemplating what I wanted to work on next, said story and its characters started calling to me. I did have about a third of it complete, plus the aforementioned outline, so I figured, why not give it a try? Believe it or not, I stopped in the middle of a chapter way back in 2019, but after rereading what I had, I jumped right back in and finally finished that chapter almost three years later.

So, here we are. The words are coming out again, and I'm rediscovering the characters' voices. There are a few blank spaces in the outline, but I still want to tell their story. As it's contemporary romance, it may not be the most groundbreaking, creative story I've ever told, but I'm hoping it will entertain and resonate with readers. Will it be as successful as Fire Beyond the Frost was after spending a considerable amount of time on the shelf? Who knows.

But hey, at least I get to use that tag here again!

Trope-Tastic Tuesdays: Act of True Love

Trope: Act of True Love

Description: So our characters are madly, hopelessly in love, but the universe is often cruel and refuses to let them be happy together for more than five minutes. (Fucking universe, man.) One of the pair—or sometimes even both!—is so very much in love, they will make a great personal sacrifice for the other person, whether for their relationship in general or even to save their partner's life. This doesn't necessarily have to be a romance trope, as it can be for a platonic or familiar relationship; it's also possible for this one to be a death trope. Hmm. Ominous.

Examples: Anna blocking Elsa from that asshole Hans's sword in Frozen; both Rapunzel and Flynn try to sacrifice their happiness/lives for each other at the end of Tangled (Disney really is a fan of this one); depending on your choices in Dragon Age: Origins, the ending can play out this way if you've romanced Alistair

Pros: The power of love is always compelling. And this isn't just everyday, garden-variety love...this is true love! Done well in a romance, an Act of True Love can make readers all fluttery and swoon-y.

Cons: For me personally, you've got to *really* develop your characters and plot well to stick the landing here and make it convincing. Like, I don't know if I'd risk using this trope in, say, a short story. Not to say it can't be done, of course, but it takes skill. Also, if you're writing a romance, if you're using a death trope version of this, some readers might hate you forever. Then again, some might love you even more. Blah blah art is subjective blah.

Would/Did I Use It?: Hahaha, so, funny story: Timeline-wise, I wrote most of Fire Beyond the Frost first, shelved it for a while, and wrote Out of Orbit before coming back to it. I think it was while I was editing FBtF that I realized—if you whittle both of those books down to their basic elements, they essentially have the same plot. And both of them end with an Act of True Love. Granted, the stakes are higher for Jasmine in OoO than they are for Catalina in FBtF, but the striking similarities are there regardless. So, like Disney, I guess I'm a fan of this trope!

Trope-tastic Tuesdays: Raven Hair, Ivory Skin

Trope: Raven Hair, Ivory Skin

Description: Though beauty ideals tend to go in cycles when it comes to what's popular at any given moment, Raven Hair, Ivory Skin is one of those tropes that's often used as a shortcut for "this character is physically attractive". Due to said cycles, these characters can take on all forms, from gothic heroines to 1950s pin-up girls to vampires from all different time periods. However, to qualify for this trope, they have to be good-looking. There can be some overlap with the Eerie Pale-Skinned Brunette trope, but that one has more to do with how a character is perceived beyond physical beauty. Both have a tendency to skew female, but attractive raven-haired men with ivory skin are out there in all sorts of media.

Examples: Snow White in every form she's ever taken, Scarlett O'Hara, Miranda from Mass Effect, Yennefer from The Witcher

Pros: The visual contrast makes this appealing, even when you're writing and you want the reader to get a certain image in their minds. As stated above, it can also be a quick way to get to "this character is pretty!" without spending a huge amount of time on descriptions and perceptions right away. When it comes to the overlap with other tropes and genres, you can either lean in to the established tropes, or have some fun playing around with them and subverting expectations.

Cons: There's a fine line between "relying on tropes" and "laziness." (Let's not talk about how many times I've walked that line.) Also, as with all physical appearance tropes, beauty is highly subjective.

Would/Did I Use It?: Indeed I have! Tabitha from Hunting Astrid qualifies, as her appearance captures Astrid's attention right away. Alizeira from Flight of the Dragon Queen also fits this trope, and she might also count as an Eerie Pale-Skinned Brunette, at least at the beginning of the book before we learn more about her. I gave some serious consideration to whether Jasmine from Out of Orbit and Sari from Fire Beyond the Frost qualify, and ultimately decided that they don't—aside from debating whether or not their brown hair is dark enough, while their love interests are attracted to them, it's never mentioned if they're considered objectively beautiful to most of the people around them.

Trope-tastic Tuesdays: (Defrosting) Ice Queen

(Parts of this were originally posted on January 17, 2013)

Trope: Ice Queen (and its sub-trope, the Defrosting Ice Queen)

Description: The Ice Queen is aloof and, well, frigid. She may not want to get emotionally close to anyone, or it may just be men she disdains. There are a few different ways her icy qualities can manifest themselves, ranging from slinging nasty remarks at anyone who crosses her to simply coming across as emotionless and "cold". In romance, the hero strives to "defrost" her and win her over so they can embark on a relationship.

(While not required, Ice Queens often have blonde hair and blue eyes.)

Examples: Elsa from Frozen, Katherine from The Taming of the Shrew, Hot Lips from M*A*S*H, Miranda from the Mass Effect series

Pros: The Ice Queen is no wet blanket, and she doesn't sit back and take any bullshit. She won't swoon over the hero as soon as he walks in the door; he's going to have to WORK for her affection. Comedic value is bumped up a notch if she's the type to make snappy comebacks and sends the hero away with his tail between his legs. Even if we think she's a bit snotty, we frequently can't help but root for her and want her to find true love.

Cons: If not handled with care, this trope can veer sharply into "she needed a MAN to put her in her place" territory, or imply she was a lesser human being until that man came along to defrost her. Or tame her, in Shakespeare's case. Another possibility is that there's some deep, dark, secretive reason for why the Ice Queen is so icy; it can be valid, or overly melodramatic (or both, I suppose). Then again, maybe not. Maybe she's just not a people person. However, if she comes across as too cold-hearted, it can be difficult for the audience to like and relate to her.

Would/Did I Use It?: I figured I might as well kick off the reboot of this feature with the (defrosting) Ice Queen, because I have such a prime example in my list of publications now. If the title of Fire Beyond the Frost doesn't clue you in, the main character, Catalina, definitely fits this trope. She's even got the pale blonde hair, though her eyes are green. I admit some of her attributes are coincidental, but yeah. Ice Queen for sure. Her "frostiness" doesn't come from any sort of evil or malice, though; she's just a serious person with some insecurities she tries to conceal.

In thinking it over, the titular character of Hunting Astrid probably also qualifies. Astrid (strawberry blonde hair, eye color not specified) has been hurt in the past and has her guard up, and the whole plot of the book is based on the hoops she makes Tabitha jump through in order to win her heart. To a lesser extent, Jasmine (brown hair, but blue eyes, for those of you keeping track at home) from Out of Orbit and Veronica (brown hair, eye color not specified) from Seductive Suspect also come across as rather aloof at first, and their love interests need to chip away at their icy barriers.

Dominance

Yup, you can keep your minds in the gutter, because this post is about exactly what you think it's about: which characters dominate your sex scenes? As I was chugging along on A Flame Among the Stars, I started thinking about how in most romances, one half of the couple is usually more forward or dominant than the other. Sometimes it's evenly balanced, sometimes it pings back and forth...and sometimes what happens outside the bedroom is different from what happens inside.

 

For a fun experiment, not only will I be exploring this in terms of gender, but also the point-of-view, as I have a hypothesis.

A Flame Among the Stars: This is a lesbian romance, so both halves of the couple are female. Meg, the POV character, is definitely the more dominant one for most of the book, though Celendra gains confidence and starts taking charge at points. What got me thinking about this whole subject is that it had been a while since I wrote from the POV of the more dominant character, but more on that later.

Hunting Astrid: Another lesbian romance. The book is from Astrid's POV, but Tabitha takes the lead for most of their intimate encounters. Again, though, Astrid has her own moments of being in control by the end.

Blazing Justice: This one's interesting because we have one POV character (Celeste) with three different endings. Without giving two much away, in two out of the three endings, the men are clearly more dominant, but it's more evenly matched in the third.

Fire Beyond the Frost: More lesbians. Catalina (POV) has no problem being in command of an operating room or jumping into action in case of medical emergency, but she's always been far more reserved in her personal relationships. This actually doesn't change much throughout the book, but Sari's there to guide her along nonetheless.

Closing Montage: Hmm. After some consideration, I'll say that Abigail (POV) and Edwin are pretty evenly matched, but I might give a slight edge to Edwin. It's close, though.

Seductive Suspect: Adam calls the shots as soon as he gets Veronica (POV) into his bedroom, hands down. This was one of those instances where I had that scene all planned out in my head for a while, but since I write in order, it took me a while to get there. Even so, I didn't lose any of my enthusiasm for it, and Adam's running this sexy show.

Out of Orbit: This was fun because both Jasmine (POV) and Aras are absolute powerhouses in their roles/careers before they meet, so what happens when they finally get together? The answer - Aras is the one in charge, but Jasmine doesn't mind in the slightest.

Flight of the Dragon Queen: Here's another one where it might be too close to call between Caleb (POV) and Alizeira. If I absolutely had to choose one or the other, I guess I'd say Alizeira is the more dominant of the two, but really, it's by the tiniest of margins.

Elysium: This one might buck the trend in multiple ways - not only does the POV alternate between April and Drew, but they each get their own sex scene where they're the POV character and each one is the more dominant one when we're inside their head. Again, it's a small difference, but that's my analysis.

Second Skin: The POV alternates between Anna and Brendan here, too; however, once they're behind closed doors, it's from Anna's POV, but Brendan is more dominant.

So, what have we learned? For the hetero romances, I thought the men would be more dominant, but while it skews a little in that direction, it's not always the case. What appears to be the bigger predictor? The POV character.

 

I'm too lazy to go through and tally it up, but it does seem like the POV character is less likely to be taking charge in the sex scenes. In a way, it kind of makes sense - it might be easier to envision yourself in a character's place when something is being done to them, rather than having them being the one doing the...doing. I won't get too far into fantasies and preferences and whatnot here, but if you're reading romance for an escape, letting someone else come in and handle everything can sound appealing. With the POV character, we see, hear, and feel everything they're experiencing; it's not that we, the readers, always want to take on a passive role in our own lives, but I can see how it's logical for the POV character we're reading about to be on the receiving end of all those fun sensations. You could argue the opposite, of course, and I don't think there's a right or wrong answer. In the future, I'll be paying attention to this when reading romances and trying to determine who's more likely to play what role with regard to POV.

(I'm not going to start unpacking menage romances...yet?)

Off to Some Kind of Start, Part 2

Remember a couple years ago when we were all going back to our old projects at critiquing our opening lines? It's that time again! Writing/blogging buddy Krystal Jane recently posted her new collection, and someone on Twitter just asked about favorite blog posts, so here we go for Round Two. I'll pick up where I left off and see if I've actually gotten any better at this. (I'm guessing not.)

 

Here's Part 1 to recap, from July of 2017 (apologies for the text colors, a casualty of the site redesign)

Hunting Astrid is still brand new and sparkly and shiny, so let's see how my latest release fares under the microscope.

 

“There you are. You almost missed all the fun.”

“Sorry I’m late.” Astrid hurried into the room and wheeled her chair out from underneath her desk. “Some sort of malfunction with the train. We were stuck for half an hour.”

Her coworker Lily snorted without taking her eyes off the screen in front of her. “So much for the best technology this corner of the galaxy has to offer.”

Hello, sci-fi! I've become a fan of starting stories in the middle of a conversation, like here. Not the snazziest, not the worst. I promise things pick up quickly in this opening chapter.

***

How about some fanfic? I did write a lot for Fire Emblem: Three Houses over this summer, which kicked my motivation for my original works into gear. Here's the opening for the first one, which was actually the first fanfic I wrote in quite a few years.

Aelfric couldn’t understand the strange looks and hushed whispers that had followed him around like an irritating swarm of bugs over the course of the evening. After all, why wouldn’t he have wanted to attend Sitri and Jeralt’s wedding? It was a joyous occasion, one the monastery didn’t often host. Such love should be celebrated, he declared to himself.

Not gonna lie, I'm kind of digging that first line. And a note to anyone who's played the FE3H DLC: FUCKIN' AELFRIC, MAN, AMIRITE!? (i rite.)

***

Let's take a look at Fire Beyond the Frost, whose long journey to publication has been chronicled here. To recap: the book was published a year ago after sitting on the shelf in need of a good cleaning for a few years. Before that, parts of it were originally a story written for a former friend's role-playing forum. I have no idea what got edited when, so here's a collection of words that were written sometime in 2019, 2013, and/or 2011.

Dr. Catalina Frost looked out the small window of the spaceship. A few men from the crew scurried around the launch pad of the Blackhill Spaceport. The vessel would be departing within moments. A pleasant female voice came over the intercom, informing the passengers to move toward their seats and prepare for takeoff.

All right, so we know Catalina's going somewhere, which is kind of the point of the whole book. Not too bad. I don't hate myself.

***

Rewinding a little farther, here's the intro to Closing Montage.

The large brown box sat on the doorstep, unremarkable, cast by the shadows of the dwindling sunlight. My heart raced as I pulled the car into the driveway. Though I couldn’t see any writing or labels from where I sat, I knew it didn’t contain another shipment of medical supplies or more useless gifts from well-wishers. This package was special.

You know, this one's better than I remembered it. It drops plenty of hints about the upcoming story, plus it has an element of mystery: what's in the box???

***

Lastly, because I like odd numbers for these types of lists, I'll give you a sneak peek at my WIP, Elemental Forces.

“On your left!”
 

Meg dove to the opposite side, tucking and rolling across the dusty field. The small dragon she’d been battling followed after her, but before it could launch another attack, Ronan brought his sword down on the creature’s neck. The sharp blade sliced its head clean off and it fell to the ground, sunlight glinting off its reddish scales as it gradually stopped twitching.

DRAGONS! FUCK YEAH! I wasn't lying when I said I like starting in the middle of the action sometimes. You know what I also like? DRAGONS!

So there's my latest compilation. Nothing downright awful in here, unlike last time, so maybe I am getting slightly better at this. One can dream, anyway!

Structure/Pacing in Romance (specifically THOSE scenes)

I'm still happily chugging along on Elemental Forces. I passed the 20K word mark and have plenty of story left to tell. While I don't have a firm word count estimate just yet, this is shaping up to be the longest book I've written in quite some time.

Believe it or not, I don't have a written outline here. At this point, everything's plotted out pretty well in my head, so maybe I'll never get around to making one. But as I've been thinking over the structure and pacing in this project, I realized that I have two distinct categories for my books, and most romances probably fall into one or the other. And those categories are differentiated by...wait for it...*drumroll*...the sex scenes.

(The rest of this post will probably not be sexy. Sorry to disappoint.)

Category 1: One Sex Scene

All the novellas go here, which makes sense. (Hey, sex scenes take a lot of words!) I guess in these books, the primary plot/conflict/focus/whatever you want to call it is the good ol' "will they or won't they?" and everything gets wrapped up in a pretty little bow at the end when the characters finally bang. Excuse me, get their "happily ever after." Sure, other plot stuff happens, but it's all leading up to the big moment. To be fair, in some of my novellas, the one sex scene doesn't come right at the end, as the characters still have to work out their relationship issues before riding off into the sunset, but the concept stands.

Nothing is absolute, though, so there are some slight exceptions. Elysium, while novella-length, *technically* has two sex scenes, but they're back-to-back, so lumping them together is fair. Likewise with Seductive Suspect, which hovers on the border of "long novella" and "short novel" - the two sex scenes are adjacent to each other, and then the resolution of the mystery part of the plot comes afterward.

Category 2: Multiple Sex Scenes

It's not a surprise that the longer books go here, and then that got me thinking about various plots and their purposes. "Happily ever after" is still always the primary goal of romance, but the length of the route to get there varies. I admit this is where I sometimes struggle with the pacing. When the main characters get together relatively early on, the plot has to keep moving. It's easy to say "time for a sex scene, yay!" but the scenes also have to mean something and not feel gratuitous. I also realize this is highly subjective, as a look at any book with conflicting reviews will indicate. This also probably gets into the topic of romance vs. erotic romance vs. erotica, which I'm not going to touch here.

When writing Disintegration (which I'll likely re-release sometime in 2021), I was extra super careful while plotting out the progression of the sex scenes in the book, of which there are many. Almost, if not all of them are relevant to the plot, each building on the one that came before it. On the other hand, in Fire Beyond the Frost, there might be one or two in there that aren't necessarily relevant to the overall plot, but hey, they're fun, so why not. Then, while I was reviewing The Edge of the Sphere for its eventual re-release (no date set yet), there was even a sex scene I'd completely forgotten about. OOPS.

So, those are my two categories I've discovered. Is one better than the other? No, of course not. Does one take more careful plotting than the other? Eh, possibly. Most writers have cut huge chunks of work out of their final product, and I'm no exception. As noted above, there's no right answer for when to include these scenes, or how many to put in, and so on. If it works, it works, and I try not to ask too many questions when it *does* work!

Momentum

The tonsils are out, and while I've had my ups and downs this past week, it's not the worst. Not particularly fun, but not the worst. So! Since I'm not completely miserable and I have passed off most of the care of my children to other adults, I've actually gotten quite a bit of writing done. Yay me.

When I last blogged, I predicted Hunting Astrid would go eight chapters (or so). I debated whether or not to split one chapter into two, and ultimately did so, so it does look like I'll wind up with eight, plus a short epilogue. I finished Chapter Six today, but the next two will be long, so don't expect a finished draft any time soon. For total word count, I'm predicting...let's say around 22K. Definitely more than 20K, probably less than 25K. Either way, it'll be a cute, fun little novella that didn't take me a ton of time, assuming I don't get struck by a meteor or something in the next few weeks. Another win.

I'm still patting myself on the back for deciding to work on this project and shelve Sonata for Springtime for the time being. 4th Quarter royalty statements just came out, and while I admit I still don't know all the ins and outs of the Kindle Unlimited program, Fire Beyond the Frost did do well, I'm happy to report. At least better than a lot of my other books upon release. KU tracks pages read instead of books as a whole, and if I did my math right (which I TOTALLY might not have), it translates into a triple-digit number of readers. Or, for all I know, one or two people who liked it so much they read it a bunch of times. As someone who is far from a world-famous author with a huge following, I'll take it.

I'd suspected for a while that the more specific your categories/genres/niches/whatever you want to call it, the more successful a book will be. (Unless you're really savvy with your keywords and marketing, which I am not.) We'll see if I can keep the momentum going with Hunting Astrid, and if lesbian sci-fi romance turns out to be my true, yet somewhat specific, calling, so be it. I'm not saying I'll never write in another genre again, because I know that won't be the case, but for now, we'll see where this path takes me. Either way, I'm finally writing like crazy for the first time in years, and if I'm having fun, I'm hoping readers will, too.

New Project, and a New Year

Fire Beyond the Frost is still doing well, I'm happy to report. It's fun to see what other people have highlighted!

So I did wind up starting a new project after all. And...I like it. It's fast-paced, exciting, and...dare I say it...FUN! Okay, maybe the emotional impact of this one won't be huge, but it'll make up for it in other ways, I promise. I just finished off the introductory chapter, and I think I hit the right balance of setting the scene without a giant info dump, letting the relevant details come off naturally. My original plan was to have this be a quick little novella, maybe in the range of 20K - 30K words, but more and more ideas are coming up, so it might wind up a little longer. Yay.

Not everything is going 100% smoothly. But you know what? That's fine. I'm struggling a little bit with the balance of Main Character 1, between being a badass and showing some vulnerability, but I'm sure the more I write her, the more solid she'll become. (MC2? Total badass. At least 99% so.) My current outline has some gaps and I'm still moving things around, but I'm confident it'll work out. I used to be more of a pantser than a plotter, and maybe this will help me just get the damn words onto the page.

I definitely wanted to finish this opening before the end of the year, and I'm glad I hit that goal. Next week will be the usual holiday season craziness. I'm hosting Christmas Eve for my side of the family. (My mother claims I'm getting off easy because there will *only* be 17 people. Only. <_< ) Then Christmas Day at the in-laws, which is going to be kind of small and low key this year. (As low key as my mother-in-law gets, anyway.) Then the buffer day I insisted on, and then we're taking the girls to Disney World for the first time! One of the reasons I planned this trip was because I was practically on death's door this time last year, so everyone's super excited, and even though I know it'll be insane, I'm looking forward to it. I doubt I'll get any serious writing done during those five days, but I might slip a notebook into my backpack just in case the girls crash early one night and I need something quiet to do in the hotel room.

On that note, this will likely be my last post for the year, so I wish you all a wonderful holiday season, and here's to a great 2020!

Brand new tag for the new project being created in 3...2...1....

A Humble Brag and a Humble "I Kind of Suck"

Because balance is everything.

When last we left off, I was debating about whether or not to temporarily shelve Sonata for Springtime. (And, obviously, blogging about it instead of actually writing anything.) After some internal debate, I decided to keep plugging away at it. I did write maybe a third of a chapter or so, which isn't all that much. I suck.

On the flip side, though, Fire Beyond the Frost is...dare I say it...doing well? It's getting good ratings and even reviews and bookmarks at Amazon and Goodreads, at least. I won't have hard numbers for a while since it came out at the beginning of the fourth quarter of the year, and I still don't know how said numbers exactly work with the Kindle Unlimited program, but it looks pretty good from where I'm sitting? I guess? Relatively speaking, of course?

Ironically, FBtF had plenty of time sitting on the shelf before publication. To recap, I took a break somewhere in the middle to write Second Skin, and then after that, I left it alone for quite a few years until I edited it like crazy this past spring. Funny how a book I had serious confidence issues with is now getting attention. If nothing else, that should remind me that putting something to the side for a bit isn't an automatic failure.

I'm now also wondering if I should really dig into this niche and write more lesbian romance. I mean, I don't want to write lesbian characters just for the sake of writing them, but if it seems to be working for me, maybe I should go with it for a while? In my last post, I also mentioned wanting to go back to my sci-fi roots, and how there's another idea that's been simmering in second place for a while. After mulling it over for a bit, I think it could really work if the main characters are two badass women who happen to fall in love by the end, rather than a man and a woman. And I think we're all in agreement that no matter what else is going on, we all need some more badass women in our lives.

Judging by the amount of question marks in this post, I'm clearly going through a bout of indecision and insecurity. For now, though, I think I do need to move on to something else and see if new! flashy! F/F! sci-fi! gives me the boost I need. And even if it doesn't work out at first, I just need to remember it may work out in the end anyway if I need to put it away and go back to it later on.

A Little Rusty

Which skills am I referring to with this title - my writing skills, my decision making skills, or a little bit of both? Probably both. Both is almost always an accurate answer.

So I finally got back to Sonata for Springtime, which I started over a year ago, and then life got in the way. (Ugh.) I finished up the stupid transitional chapter that had been plaguing me for most of that year (ugh again), and one would think that now I'm on to more exciting things, the words would be flowing freely. Ehhh. I'll get there, I just need to get into some better writing habits.

Following the flurry of the last edits and subsequent release of Fire Beyond the Frost, and then cleaning up some short stories that still need a home, I did think long and hard about whether to shelve this one temporarily. Part of it is a confidence issue - do I really love the plot and characters as much as I once did? Can this work be as good as I want it to be? Do I think readers can/will love it as much as I do?

Then as all writers know, there's always the allure of shiny new ideas lurking around every corner. Starting a new project is always exhilarating...until you realize you actually have to finish something every now and then. I'll admit it, I was thisclose to starting something new, and I even had another idea from my list all picked out and ready to go. FBtF was heavy on the sci-fi setting, and I had the urge to create a similar fictional world. The plot and characters would have been a bit more edgy and fast-paced, and my projected word count was lower. Sure, I didn't have every single plot point outlined perfectly, but that can always be figured out as you go along, right?

Ultimately, what it came down to is I haven't quite figured out the emotional core of that other idea. Not every character has to have some deep, dramatic history, and there's nothing wrong with a light, fun novella, but there's still a certain spark missing in my head for these characters. I haven't figured out what motivates them or all the facets of their personalities, and I don't want to wind up relying on tropes or cliches. Aside from that, I'm thinking I might need to rework some of the initial setup for the plot, so it's going on the backburner for now, and SfS has emerged victorious. Believe me, there's plenty of well-planned characterization and all sorts of emotions going on there. I just need to actually WRITE it all down.

Fire Beyond the Frost - Release Day!

Happy Release Day to Fire Beyond the Frost. We're trying something new for a change, and for at least 90 days, the book will be available for free if you're a subscriber of Kindle Unlimited. As such, it's exclusive to Amazon for the time being, but depending on how things go, we may go wide in a few months.

Here, have the blurb again, plus a different excerpt!

Blurb:
Following a failed relationship with her supervisor at work, Dr. Catalina Frost volunteers her services with a charitable organization providing medical aid to those in need. In her first journey away from her home planet of Earth, she travels to the opposite end of the galaxy to the icy world of Ruvuk. Dismal weather conditions and an unfamiliar species of aliens take her far outside her comfort zone, but she’s determined to fulfill her obligations.

When Sari, a human settler on Ruvuk, first heard about a doctor being assigned to lend assistance to her health clinic in a remote village, she never expected the gorgeous woman who walked through her door. She introduces her to the planet’s ways of life and is impressed by her skills and experience. Though she drops hints about her growing attraction to Catalina, she’s shocked when those feelings are reciprocated.

The pair embarks on a romantic fling, but the definitive end date of Catalina’s assignment approaches quickly. She wants to plan for the future, but Sari has been hurt by false promises before and asks that they simply enjoy the time they have left. Will they each return to their separate lives or can they find a way to reunite somewhere in the galaxy?


Excerpt:
Sari pulled Catalina’s hands away from her face. “Sometimes we need a little change of scenery. Earth wasn’t working for you at the moment, so you came here. There’s nothing wrong  with that.”

“But my reasons for leaving—”

“They don’t matter. You’re here now, and we’re glad to have you. You’re going to do good things here, and when it’s time for you to leave, you’re going to march right back into your hospital and tell those people all sorts of amazing stories, and they won’t have a single bad thing to say about you. And while you’re doing it, you’re going to look that old doctor right in the eye, and he’s going to know he wasn’t good enough for you.”

Catalina blushed. “Maybe.”

“Maybe?” Sari placed her hands on her hips and flashed a coy smile. “I’m always right. You just ask anyone around here.”

“I’ll keep that in mind.” Catalina rubbed her eyes again. This time, the yawn escaped. “I’m sorry I kept you here so late. I didn’t mean for everything to spill out. You’re the first person I’ve told about any of this and—”

Sari cut her off with a wave of her hand. “Don’t worry about it. I could tell you needed to get something off your chest. Sometimes we get so caught up in taking care of our bodies, we forget about our minds and hearts. I’m sure you’ll sleep better now it’s out.”

“I hope so.” She glanced back at her new companion. “What about you? You mentioned a father and brother, but do you have a husband and kids hiding around here somewhere?”

Sari laughed. The merry tones were becoming more endearing with each passing moment. “Not quite. I love Dad and Sean and everything, but beyond familial love, men have never held much appeal for me.” With a mischievous wink, she stood up from the table and moved toward the door. “Have a good night, Dr. Frost.”

Cover Reveal - Fire Beyond the Frost

Here's another winner from the fabulous artists at Decadent Publishing!
 

This one went through a number of versions, but I love the final result. All the little details are amazing! For now, we're still on track to release next week, so here's the blurb and excerpt again to tide you over until then!

Blurb:
Following a failed relationship with her supervisor at work, Dr. Catalina Frost volunteers her services with a charitable organization providing medical aid to those in need. In her first journey away from her home planet of Earth, she travels to the opposite end of the galaxy to the icy world of Ruvuk. Dismal weather conditions and an unfamiliar species of aliens take her far outside her comfort zone, but she’s determined to fulfill her obligations.

When Sari, a human settler on Ruvuk, first heard about a doctor being assigned to lend assistance to her health clinic in a remote village, she never expected the gorgeous woman who walked through her door. She introduces her to the planet’s ways of life and is impressed by her skills and experience. Though she drops hints about her growing attraction to Catalina, she’s shocked when those feelings are reciprocated.

The pair embarks on a romantic fling, but the definitive end date of Catalina’s assignment approaches quickly. She wants to plan for the future, but Sari has been hurt by false promises before and asks that they simply enjoy the time they have left. Will they each return to their separate lives or can they find a way to reunite somewhere in the galaxy?

Excerpt: 
The music stopped. Hundreds of heads tilted back, excited faces turned skyward in a synchronous movement threaded with palpable anticipation. Four incandescent orbs loomed overhead, shining in radiant shades of orange and gold. The spaces between them measured a similar distance, yet Catalina couldn’t understand why the lopsided figure was cause for such a tribute.

A near-imperceptible shift in the spheres’ positions removed all traces of her skepticism. Murmurs fluttered through radiating circles around her as the moons locked into place, creating a flawless square with the plateau at its center. In that instant, she was struck by the magnitude of the perfect alignment and its effect on her. While her journey to Ruvuk had been arranged due to her professional expertise, it turned out to serve many other purposes. The magnificent sight erased her doubts regarding her reasons for leaving Earth. Her decision had proved to be the right one.

Someone’s hand rested on the small of her back. Catalina looked away from the moons, her head swiveling to the side. All sets of eyes were focused on the sky, save one. Sari stood at her shoulder, her face bathed in the lunar glow. Beneath the edge of her knit hat, her round eyes gleamed with their usual liveliness. There was a slight change, however, something darker in their depths.

Her sly remarks and pointed comments had always been couched in a tone of flirtatious teasing. Tonight, there was no denying the hunger revealed in her sensual expression. Berry-red lips parted, silently asking the remaining question. The harmonious combination of the symbolic moment and her alluring charm made the plea impossible to refuse.

Catalina turned her body to allow Sari’s arm to circle around her waist as she leaned forward. She hesitated, letting the proximate warmth of the other woman’s mouth dispel the cold air between them. Another hand settled on her hip. Its blazing intentions were clear, even through the thick padding of heavy outerwear.

On Fire!

Mark your calendars, Fire Beyond the Frost has a tentative release date of October 4th. I hope to have a sparkling new cover to present to you in the next couple days, but in the meantime, have this picture of me jumping over some burning logs.

I did complete that obstacle course race I mentioned in my previous post. It was one of the hardest things I've ever done and the thought of quitting absolutely crossed my mind at least once, but I hauled my butt over that finish line (and then made a beeline for my free beer). I also climbed that big cargo net you see in the background, which was another triumph considering I'm afraid of heights. Well, not necessarily afraid of heights, but afraid of falling. Same difference here.

I crashed hard when I got home and went to bed earlier than my kids that night. As everyone had promised me, I went from "Okay, that's over with and out of my system, don't need to do that again anytime soon" to "Weeeeeelllllll, the Long Island course in November is probably flatter..." within, like, two days. So yeah, of course I eventually signed up. But I vow to get some new writing in between now and then!

Fire Beyond the Frost - Coming Soon!

Not only do I love making these announcements, but apparently, this is also my 300th post on this blog! Yay for milestones, I guess? I've felt like a slacker here at times, but 300 unique posts over *coughmumble* years is nothing to sneeze at.

Anyhoo! I just signed the contracts for Fire Beyond the Frost, which has had quite the journey to get to this point. Longtime readers may vaguely remember I was working on a lesbian romance several summers ago. Long story short, certain things just weren't working out, and the book sat on the shelf in time-out for a long time. This past winter, while recovering from my illness/surgery, I decided to revisit it and see if I could give it the overhaul it needed. I did love the characters and story, after all. So many changes later—including the title—here we are! Current blurb and excerpt are below, and I'll share further details as I get them.

Blurb:
Following a failed relationship with her supervisor at work, Dr. Catalina Frost volunteers her services with a charitable organization providing medical aid to those in need. In her first journey away from her home planet of Earth, she travels to the opposite end of the galaxy to the icy world of Ruvuk. Dismal weather conditions and an unfamiliar species of aliens take her far outside her comfort zone, but she’s determined to fulfill her obligations.

When Sari, a human settler on Ruvuk, first heard about a doctor being assigned to lend assistance to her health clinic in a remote village, she never expected the gorgeous woman who walked through her door. She introduces her to the planet’s ways of life and is impressed by her skills and experience. Though she drops hints about her growing attraction to Catalina, she’s shocked when those feelings are reciprocated.

The pair embarks on a romantic fling, but the definitive end date of Catalina’s assignment approaches quickly. She wants to plan for the future, but Sari has been hurt by false promises before and asks that they simply enjoy the time they have left. Will they each return to their separate lives or can they find a way to reunite somewhere in the galaxy?



Excerpt: 
The music stopped. Hundreds of heads tilted back, excited faces turned skyward in a synchronous movement threaded with palpable anticipation. Four incandescent orbs loomed overhead, shining in radiant shades of orange and gold. The spaces between them measured a similar distance, yet Catalina couldn’t understand why the lopsided figure was cause for such a tribute.

A near-imperceptible shift in the spheres’ positions removed all traces of her skepticism. Murmurs fluttered through radiating circles around her as the moons locked into place, creating a flawless square with the plateau at its center. In that instant, she was struck by the magnitude of the perfect alignment and its effect on her. While her journey to Ruvuk had been arranged due to her professional expertise, it turned out to serve many other purposes. The magnificent sight erased her doubts regarding her reasons for leaving Earth. Her decision had proved to be the right one.

Someone’s hand rested on the small of her back. Catalina looked away from the moons, her head swiveling to the side. All sets of eyes were focused on the sky, save one. Sari stood at her shoulder, her face bathed in the lunar glow. Beneath the edge of her knit hat, her round eyes gleamed with their usual liveliness. There was a slight change, however, something darker in their depths.

Her sly remarks and pointed comments had always been couched in a tone of flirtatious teasing. Tonight, there was no denying the hunger revealed in her sensual expression. Berry-red lips parted, silently asking the remaining question. The harmonious combination of the symbolic moment and her alluring charm made the plea impossible to refuse.

Catalina turned her body to allow Sari’s arm to circle around her waist as she leaned forward. She hesitated, letting the proximate warmth of the other woman’s mouth dispel the cold air between them. Another hand settled on her hip. Its blazing intentions were clear, even through the thick padding of heavy outerwear.